Los Angeles—January 17, 2014—The Motion Picture Sound
Editors (MPSE) today announces nominees for the
61st MPSE Golden Reel Awards in all categories. Nominees represent
the work of the world’s most talented sound artists and their contributions to
the past year’s most outstanding feature film, television, animation and
computer entertainment productions.

“This year’s Golden Reel nominees epitomize the craft of
sound production at its best,” said
MPSE president Frank Morrone. “We take great pride in recognizing the
achievements of talented men and women who continue to inspire us with their
imagination, resourceful and craft.” A complete list of nominees, with crew,
will be available on the The
61st MPSE Golden Reel Awards website next week.

The
MPSE Golden Reel Awards recognize outstanding achievement in sound editing in
22 categories encompassing feature films, television, animation, computer
entertainment and student work. The 61st MPSE Golden Reel
Awards will be held February 16, 2014 at the Westin Bonaventure Hotel and
Suites in Los Angeles. 

The 61st MPSE
Golden Reel Awards Nominees

BEST SOUND
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR ANIMATION IN TELEVISION:    

Fairly
OddParents     

Supervising Sound Editor:       Heather Olsen, MPSE

Gravity
Falls  

Supervising Sound Editor:       Heather Olsen, MPSE

Star Wars:
The Clone Wars  

Supervising Sound Editor:       Matthew Wood                      

Monster High            

Supervising Sound Editor:       Joe Pizzulo                  

Phineas and
Ferb      

Supervising Sound Editor:       Robert Poole II, MPSE            

Teenage
Mutant Ninja Turtles        

Supervising Sound Editors:      Jeff Shiffman, Otis Van Osten

Tron:
Uprising           

Supervising Sound Editor:       Michael Ferdie                       

T.U.F.F.
Puppy           

Supervising Sound Editor:       Heather Olsen, MPSE            

BEST SOUND
EDITING: SHORT FORM DOCUMENTARY IN TELEVISION

North
America          

Supervising Sound Editors:      Kate Hopkins, Tim Owens

Through the
Wormhole with Morgan Freeman    

Supervising Sound Editor:       Eric Raber      

30 Days In
May         

Supervising Sound Editor:       Kelly Vandever                       

BEST SOUND
EDITING: LONG FORM DOCUMENTARY IN TELEVISION

Deadliest
Catch: The Final Battle    

Supervising Sound Editor:       Bob
Bronow, CAS                   

30 for 30
BIG SHOT   

Supervising Sound Editors:      Eric Lalicata, Marcus Pardo

Manhunt       

Supervising Sound Editors:      Trip Brock, Steven Avila MPSE

BEST SOUND
EDITING: COMPUTER EPISODIC ENTERTAINMENT

Intel/Toshiba
The Power Inside      

Supervising Sound Editor:       Darren “Sunny” Warkentin, MPSE                 

Mortal
Kombat:Legacy Series II      

Supervising Sound Editor:       Michael Babcock                   

Video Game
High School (Season 2)           

Supervising Sound Editor:       Paul Andre Fonarev               

Bravest
Warriors      

Supervising Sound Editors:      Gary Falcone, Joe Pizzulo

INSIDIOUS:
Spectral Sightings         

Supervising Sound Editor:       Mark Camperell, MPSE                     

BEST SOUND
EDITING: COMPUTER INTERACTIVE ENTERTAINMENT

Batman
Arkham Origins      

Supervising Sound Editor:       Alain Larose               

Final
Fantasy XIV – A Realm Reborn

Supervising Sound Editors:      Scott Martin Gershin, MPSE, Masanobu ‘Tomi’ Tomita

The Last of
Us

Supervising Sound Editor:       Shannon Potter                      

Skylanders
Swap Force        

Supervising Sound Editors:      Mark Jasper, MPSE, Tom Hays

StarCraft 2:
Heart of the Swarm Cinematic           

Supervising Sound Editor:       Paul Menichini, MPSE            

BEST SOUND
EDITING: DIRECT TO VIDEO ANIMATION

Batman: The
Dark Knight Returns Pt.2      

Supervising Sound Editor:       Robert Hargreaves, MPSE                 

Koala Kid       

Supervising Sound Editor:       Eric Lalicata               

Superman:
Unbound

Supervising Sound Editor:       Robert Hargreaves, MPSE                 

BEST SOUND
EDITING: DIRECT TO VIDEO LIVE ACTION

The Baytown
Outlaws          

Supervising Sound Editor:       Eric Lalicata               

Empire State 

Supervising Sound Editor:       David Barber, MPSE  

Evidence        

Supervising Sound Editors:      Darren “Sunny” Warkentin, MPSE, Lon Bender, MPSE

The Frozen
Ground   

Supervising Sound Editor:       David Barber, MPSE              

Lord of
Darkness       

Supervising Sound Editor:       Trip Brock                  

Marvel
One-Shot: Agent Carter      

Supervising Sound Editor:       Andrew DeCristofaro, MPSE              

BEST SOUND
EDITING: SPECIAL VENUE      

Great White
Shark 3D          

Supervising Sound Editor:       Brian Eimer

Jerusalem      

Supervising Sound Editors:      Michael B. Bordeleau, Peter Thillaye

Journey to
the Pacific          

Supervising Sound Editor:       Andrew De Cristofaro, MPSE 

Titans of
the Ice Age

Supervising Sound Editor:       Brian Eimer

To the
Arctic 3D        

Supervising Sound Editor:       Andrew De Cristofaro, MPSE 

BEST SOUND
EDITING IN TELEVISION – SHORT FORM: DIALOGUE & ADR

American
Horror Story: Coven

Supervising Dialogue Editor: Gary Megregian, MPSE                                 

Boardwalk
Empire    

Supervising ADR Editor:          Jeffery Stern

Supervising Dialogue Editor:  Fred Madsen

Breaking Bad
EP 513 “To’hajiilee”  

Supervising ADR Editor:          Nick Forshager

Supervising Dialogue Editor:  Kathryn Madsen

Family Tree    

Supervising ADR Editor:          Hamilton Sterling

Supervising Dialogue Editor:  Alison Fisher

Game of
Thrones                  

Supervising ADR Editor:          Jed Dodge

Supervising Dialogue Editor:  Tim Hands

House of
Lies Episode 204    

Supervising Dialogue & ADR Editor:   Pembrooke Andrews  

The Newsroom                     

Supervising ADR Editor:          Mark Relyea  

The Walking
Dead    

Supervising Dialogue & ADR Editor:   Lou Thomas

           

BEST SOUND
EDITING IN TELEVISION – SHORT FORM: SOUND EFFECTS & FOLEY

Boardwalk
Empire    

Supervising Sound Editor:       Fred Rosenberg                      

The Borgias
“The Face of Death”    

Supervising Sound Editor:       Jane Tattersall, MPSE            

Breaking Bad
EP 516 “Felina”          

Supervising Sound Editor:       Nick Forshager                       

Homeland      

Supervising Sound Editor:       Craig Dellinger, MPSE                       

Game of
Thrones      

Supervising Sound Editor:       Tim Kimmel               

Once Upon a
Time in Wonderland 

Supervising Sound Editors:      Joe Schultz, Tom de Gorter, MPSE

Vikings
Season One  

Supervising Sound Editor:       Jane Tattersall, MPSE            

The Walking
Dead    

Supervising Sound Editor:       Jerry Ross                   

BEST SOUND
EDITING IN TELEVISION – LONG FORM: DIALOGUE & ADR 

Bonnie And
Clyde Night 2 Dead and Alive

Supervising Dialogue & ADR Editor:   Pembrooke Andrews

The Bridge     

Supervising ADR Editor:          Mike Marchain          

Dancing on
the Edge

Supervising Dialogue & ADR Editor:   Ian Wilkinson

Mob City       

Supervising ADR Editor:          Lou Thomas

Sons of
Anarchy “Mad King”                       

Supervising ADR Editor:          Erich Gann

Supervising Dialogue Editor:  Joy Ealy

BEST SOUND
EDITING IN TELEVISION – LONG FORM: SOUND EFFECTS & FOLEY

The Bible       

Supervising Sound Editor:       Marc Lawes               

Borealis          

Supervising Sound Editors:      Kevin Howard, MPSE, Robert Hegedus

Defiance        

Supervising Sound Editors:      Daniel Colman, MPSE, Jack Levy

Killing
Kennedy         

Supervising Sound Editor        Larry Goeb                 

Sons of
Anarchy “Salvage”  

Supervising Sound Editor:       Erich Gann                 

BEST SOUND
EDITING IN TELEVISION – SHORT FORM: MUSIC                      

Arrested
Development        

Supervising Music Editor:       Jason Tregoe Newman

Borgia

Supervising Music Editor:       Robert Cotnoir, MPSE

CSI: Crime
Scene Investigation

Supervising Music Editor:       Troy Hardy

Game of
Thrones      

Supervising Music Editor:       David Klotz

The Good
Wife

Music Editor:   Sharyn
Gersh                          

Hostages        

Music Editor:   Skye
Lewin, MPSE                              

Marvel’s
Agents of S.H.I.E.L.D.

Music Editor:   Lodge
Worster                       

BEST SOUND
EDITING IN TELEVISION – SHORT FORM: MUSICAL

Glee    

Supervising Music Editor:       David Klotz

Nashville        

Supervising Music Editor:       Jen Monnar

The
Neighbors          

Supervising Music Editor:       Chris Foster

Peg + Cat       

Supervising Music Editor:       Steven Rebollido        

Smash 207 –
Musical Chairs             

Music Editor:   Dan
Evans Farkas

BEST SOUND
EDITING IN TELEVISION – LONG FORM: MUSICAL   

History of
the Eagles

Music Editor:   Annette
Kudrak, MPSE

Smash

Supervising Sound Editor:       Robert Cotnoir, MPSE

Teen Beach
Movie    

Supervising Sound Editor:       Amber Funk

BEST SOUND
EDITING: MUSIC IN A MUSICAL FEATURE FILM

Frozen

Music Editor:   Fernand
Bos, MPSE

Inside
Llewyn Davis

Music Editor:   Jen
Monnar    

Justin
Bieber’s Believe

Supervising Music Editor:       Kevin  McKeever        

Metallica
Through the Never

Music Editor:   Matt
Fausak               

BEST SOUND
EDITING: MUSIC SCORE IN A FEATURE FILM                        

12 Years A
Slave        

Music Editor:   Katrina
Schiller          

47 Ronin        

Supervising Music Editor:       Andrew Silver

American
Hustle

Music Supervisor:       Susan
Jacobs

Gravity           

Supervising Music Editor:       Christopher Benstead

The Great
Gatsby      

Supervising Music Editor:       Jason Ruder

The Hobbit:
The Desolation of Smug

Supervising Music Editor:       Mark Willsher

Mandela:
Long Walk To Freedom   

Supervising Music Editor:       Lewis Morison

World War Z 

Supervising Sound Editor:       John Finklea

BEST SOUND
EDITING: SOUND EFFECTS & FOLEY IN A FEATURE FILM     

12 Years A
Slave        

Supervising Sound Editors:      Ryan Collins, MPSE, Robert Jackson

All Is Lost       

Supervising Sound Editors:      Richard Hymns, Steve Boeddeker

Captain
Phillips

Supervising Sound Editor:       Oliver Tarney, MPSE              

Fast &
Furious 6        

Supervising Sound Editor:       Peter Brown

Gravity           

Supervising Sound Editor:       Glenn Freemantle                  

The Hobbit:
The Desolation of Smug          

Supervising Sound Editor:       Chris Ward

Iron Man 3    

Supervising Sound Editors:      Mark Stoeckinger, Andrew DeCristofaro, MPSE

Lone
Survivor           

Supervising Sound Editor:       Wylie Stateman                     

                                               

BEST SOUND
EDITING: DIALOGUE & ADR IN A FEATURE FILM      

12 Years A
Slave        

Supervising Sound Editor:       Ryan Collins, MPSE

American
Hustle       

Supervising Sound Editor:       John Ross        

August:
Osage County         

Supervising Sound Editor:       Lon Bender, MPSE     

Captain Phillips         

Supervising Sound Editor:       Oliver Tarney, MPSE  

Gravity           

Supervising Sound Editor:       Glenn Freemantle

Her

Supervising Sound Editor:       Ren Klyce

Inside
Llewyn Davis  

Supervising Sound Editor:       Skip Lievsay    

Lone
Survivor           

Supervising Sound Editor:       Wylie Stateman                     

BEST SOUND
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN ANIMATION FEATURE FILM

Cloudy With
A Chance Of Meatballs 2       

Supervising Sound Editor:       Geoffrey G. Rubay

The Croods    

Supervising Sound Editors:      Randy Thom, Jonathan Null   

Despicable
Me 2       

Supervising Sound Editors:      Dennis Leonard, Chris Scarabosio

Epic    

Supervising Sound Editors:      Randy Thom, Gwendolyn Yates Whittle

Ernest &
Celestine    

Supervising Sound Editor:       Fred Demolder           

Frozen

Supervising Sound Editor:       Odin Benitez, MPSE   

Monsters
University 

Supervising Sound Editors:      Michael Silvers           ,
Tom Myers

Planes

Supervising Sound Editors:      Todd Toon, MPSE, Rob Nokes

                                               

BEST SOUND
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN A FOREIGN FEATURE FILM

Blue Is the
Warmest Color                                       

Supervising Sound Editor:       Fabien Pochet

The
Grandmaster      

Supervising Sound Editors:      Robert Mackenzie, Traithep Wongpaiboon

The Past         

Supervising Sound Editor:       Thomas Desjonqueres

Wadjda          

Supervising Sound Editor:       Sebastian Schmidt                  

BEST SOUND
EDITING: DOCUMENTARY IN AN ANIMATION FEATURE FILM        

“1”      

Supervising Sound Editors:      Lon Bender, MPSE, Beau Borders

20 Feet From
Stardom         

Supervising Sound Editor:       Al Nelson

CinemAbility

Supervising Sound Editor:       Andrew DeCristofaro, MPSE

Dirty Wars

Supervising Sound Editor:       Christopher Barnett   

Good Ol’
Freda

Supervising Sound Editor:       Henry Auerbach

Muscle
Shoals           

Supervising Sound Editor:       Christopher Koch

Rising From
Ashes     

Supervising Sound Editors:      David Barber, MPSE, Ben Zarai

Sound City

Supervising Sound Editor:                                                      

VERNA FIELDS
AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS

Anamnesis     

National Film and Television School  

Sound Designer:          Filipe
Paszkiewicz

First Light      

National Film and Television School  

Sound Designer:          Raoul
Brand

If You’re
Serious       

University of Miami School of Communications       

Sound Designer:          Jorge
Fernandez

The
Magnificent Lion Boy

National Film & Television School

Sound Designer:          Ania
Przygoda

Miss Todd      

National Film & Television School     

Filmmaker:      Kristina
Yee

Robomax       

National Film & Television School     

Sound Designer:          Tingli
Lim

Sleeping
With The Fishes     

National Film and Television School  

Sound Designer:          Nikola
Medic

About The Motion Picture Sound Editors
(MPSE)

The MPSE is a non-profit organization whose mission is to provide
a wealth of knowledge from award-winning professionals to a diverse group of
individuals, youth and career professionals alike; mentoring and educating the
community about the artistic merit and technical advancements in sound and
music editing; providing scholarships and mentorship for the continuing
advancement of motion picture sound in education; and helping to enhance the
personal and professional lives of the men and women who practice this unique
craft.

For more information, visit http://mpse.org/