Los Angeles—January 17, 2014—The Motion Picture Sound
Editors (MPSE) today announces nominees for the
61st MPSE Golden Reel Awards in all categories. Nominees represent
the work of the world’s most talented sound artists and their contributions to
the past year’s most outstanding feature film, television, animation and
computer entertainment productions.
“This year’s Golden Reel nominees epitomize the craft of
sound production at its best,” said
MPSE president Frank Morrone. “We take great pride in recognizing the
achievements of talented men and women who continue to inspire us with their
imagination, resourceful and craft.” A complete list of nominees, with crew,
will be available on the The
61st MPSE Golden Reel Awards
website next week.
The
MPSE Golden Reel Awards recognize outstanding achievement in sound editing in
22 categories encompassing feature films, television, animation, computer
entertainment and student work. The 61st MPSE Golden Reel
Awards will be held February 16, 2014 at the Westin Bonaventure Hotel and
Suites in Los Angeles. 

The 61st MPSE
Golden Reel Awards Nominees

BEST SOUND
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR ANIMATION IN TELEVISION:    
Fairly
OddParents     
Supervising Sound Editor:       Heather Olsen, MPSE
Gravity
Falls  
Supervising Sound Editor:       Heather Olsen, MPSE
Star Wars:
The Clone Wars
  
Supervising Sound Editor:       Matthew Wood                      
Monster High            
Supervising Sound Editor:       Joe Pizzulo                  
Phineas and
Ferb
      
Supervising Sound Editor:       Robert Poole II, MPSE            
Teenage
Mutant Ninja Turtles
        
Supervising Sound Editors:      Jeff Shiffman, Otis Van Osten
Tron:
Uprising
           
Supervising Sound Editor:       Michael Ferdie                       
T.U.F.F.
Puppy
           
Supervising Sound Editor:       Heather Olsen, MPSE            
BEST SOUND
EDITING: SHORT FORM DOCUMENTARY IN TELEVISION
North
America
          
Supervising Sound Editors:      Kate Hopkins, Tim Owens
Through the
Wormhole with Morgan Freeman
    
Supervising Sound Editor:       Eric Raber      
30 Days In
May
         
Supervising Sound Editor:       Kelly Vandever                       
BEST SOUND
EDITING: LONG FORM DOCUMENTARY IN TELEVISION
Deadliest
Catch: The Final Battle
    
Supervising Sound Editor:       Bob
Bronow, CAS                   
30 for 30
BIG SHOT
   
Supervising Sound Editors:      Eric Lalicata, Marcus Pardo
Manhunt       
Supervising Sound Editors:      Trip Brock, Steven Avila MPSE
BEST SOUND
EDITING: COMPUTER EPISODIC ENTERTAINMENT
Intel/Toshiba
The Power Inside
      
Supervising Sound Editor:       Darren “Sunny” Warkentin, MPSE                 
Mortal
Kombat:Legacy Series II
      
Supervising Sound Editor:       Michael Babcock                   
Video Game
High School (Season 2)
           
Supervising Sound Editor:       Paul Andre Fonarev               
Bravest
Warriors
     
Supervising Sound Editors:      Gary Falcone, Joe Pizzulo
INSIDIOUS:
Spectral Sightings
         
Supervising Sound Editor:       Mark Camperell, MPSE                     
BEST SOUND
EDITING: COMPUTER INTERACTIVE ENTERTAINMENT
Batman
Arkham Origins
      
Supervising Sound Editor:       Alain Larose               
Final
Fantasy XIV – A Realm Reborn
Supervising Sound Editors:      Scott Martin Gershin, MPSE, Masanobu ‘Tomi’ Tomita
The Last of
Us
Supervising Sound Editor:       Shannon Potter                      
Skylanders
Swap Force
        
Supervising Sound Editors:      Mark Jasper, MPSE, Tom Hays
StarCraft 2:
Heart of the Swarm Cinematic           
Supervising Sound Editor:       Paul Menichini, MPSE            
BEST SOUND
EDITING: DIRECT TO VIDEO ANIMATION
Batman: The
Dark Knight Returns Pt.2
      
Supervising Sound Editor:       Robert Hargreaves, MPSE                 
Koala Kid       
Supervising Sound Editor:       Eric Lalicata               
Superman:
Unbound
Supervising Sound Editor:       Robert Hargreaves, MPSE                 
BEST SOUND
EDITING: DIRECT TO VIDEO LIVE ACTION
The Baytown
Outlaws          
Supervising Sound Editor:       Eric Lalicata               
Empire State 
Supervising Sound Editor:       David Barber, MPSE  
Evidence        
Supervising Sound Editors:      Darren “Sunny” Warkentin, MPSE, Lon Bender, MPSE
The Frozen
Ground
   
Supervising Sound Editor:       David Barber, MPSE              
Lord of
Darkness
       
Supervising Sound Editor:       Trip Brock                  
Marvel
One-Shot: Agent Carter
      
Supervising Sound Editor:       Andrew DeCristofaro, MPSE              
BEST SOUND
EDITING: SPECIAL VENUE      
Great White
Shark 3D
          
Supervising Sound Editor:       Brian Eimer
Jerusalem      
Supervising Sound Editors:      Michael B. Bordeleau, Peter Thillaye
Journey to
the Pacific
          
Supervising Sound Editor:       Andrew De Cristofaro, MPSE 
Titans of
the Ice Age
Supervising Sound Editor:       Brian Eimer
To the
Arctic 3D
        
Supervising Sound Editor:       Andrew De Cristofaro, MPSE 
BEST SOUND
EDITING IN TELEVISION – SHORT FORM: DIALOGUE & ADR
American
Horror Story: Coven
Supervising Dialogue Editor: Gary Megregian, MPSE                                 
Boardwalk
Empire
    
Supervising ADR Editor:          Jeffery Stern
Supervising Dialogue Editor:  Fred Madsen
Breaking Bad
EP 513 “To’hajiilee”
  
Supervising ADR Editor:          Nick Forshager
Supervising Dialogue Editor:  Kathryn Madsen
Family Tree    
Supervising ADR Editor:          Hamilton Sterling
Supervising Dialogue Editor:  Alison Fisher
Game of
Thrones
                  
Supervising ADR Editor:          Jed Dodge
Supervising Dialogue Editor:  Tim Hands
House of
Lies Episode 204
    
Supervising Dialogue & ADR Editor:   Pembrooke Andrews  
The Newsroom                     
Supervising ADR Editor:          Mark Relyea  
The Walking
Dead
    
Supervising Dialogue & ADR Editor:   Lou Thomas
           
BEST SOUND
EDITING IN TELEVISION – SHORT FORM: SOUND EFFECTS & FOLEY
Boardwalk
Empire
    
Supervising Sound Editor:       Fred Rosenberg                      
The Borgias
“The Face of Death”
    
Supervising Sound Editor:       Jane Tattersall, MPSE            
Breaking Bad
EP 516 “Felina”
          
Supervising Sound Editor:       Nick Forshager                       
Homeland      
Supervising Sound Editor:       Craig Dellinger, MPSE                       
Game of
Thrones      
Supervising Sound Editor:       Tim Kimmel               
Once Upon a
Time in Wonderland 
Supervising Sound Editors:      Joe Schultz, Tom de Gorter, MPSE
Vikings
Season One  
Supervising Sound Editor:       Jane Tattersall, MPSE            
The Walking
Dead    
Supervising Sound Editor:       Jerry Ross                   
BEST SOUND
EDITING IN TELEVISION – LONG FORM: DIALOGUE & ADR 
Bonnie And
Clyde Night 2 Dead and Alive
Supervising Dialogue & ADR Editor:   Pembrooke Andrews
The Bridge     
Supervising ADR Editor:          Mike Marchain          
Dancing on
the Edge
Supervising Dialogue & ADR Editor:   Ian Wilkinson
Mob City       
Supervising ADR Editor:          Lou Thomas
Sons of
Anarchy “Mad King”           
           
Supervising ADR Editor:          Erich Gann
Supervising Dialogue Editor:  Joy Ealy
BEST SOUND
EDITING IN TELEVISION – LONG FORM: SOUND EFFECTS & FOLEY
The Bible       
Supervising Sound Editor:       Marc Lawes               
Borealis          
Supervising Sound Editors:      Kevin Howard, MPSE, Robert Hegedus
Defiance        
Supervising Sound Editors:      Daniel Colman, MPSE, Jack Levy
Killing
Kennedy
         
Supervising Sound Editor        Larry Goeb                 
Sons of
Anarchy “Salvage”
  
Supervising Sound Editor:       Erich Gann                 
BEST SOUND
EDITING IN TELEVISION – SHORT FORM: MUSIC
                     
Arrested
Development
        
Supervising Music Editor:       Jason Tregoe Newman
Borgia
Supervising Music Editor:       Robert Cotnoir, MPSE
CSI: Crime
Scene Investigation
Supervising Music Editor:       Troy Hardy
Game of
Thrones
      
Supervising Music Editor:       David Klotz
The Good
Wife
Music Editor:   Sharyn
Gersh                          
Hostages        
Music Editor:   Skye
Lewin, MPSE                              
Marvel’s
Agents of S.H.I.E.L.D.
Music Editor:   Lodge
Worster                       
BEST SOUND
EDITING IN TELEVISION – SHORT FORM: MUSICAL
Glee    
Supervising Music Editor:       David Klotz
Nashville        
Supervising Music Editor:       Jen Monnar
The
Neighbors
          
Supervising Music Editor:       Chris Foster
Peg + Cat       
Supervising Music Editor:       Steven Rebollido        
Smash 207 –
Musical Chairs             
Music Editor:   Dan
Evans Farkas
BEST SOUND
EDITING IN TELEVISION – LONG FORM: MUSICAL   
History of
the Eagles
Music Editor:   Annette
Kudrak, MPSE
Smash
Supervising Sound Editor:       Robert Cotnoir, MPSE
Teen Beach
Movie
    
Supervising Sound Editor:       Amber Funk
BEST SOUND
EDITING: MUSIC IN A MUSICAL FEATURE FILM
Frozen
Music Editor:   Fernand
Bos, MPSE
Inside
Llewyn Davis
Music Editor:   Jen
Monnar    
Justin
Bieber’s Believe
Supervising Music Editor:       Kevin  McKeever        
Metallica
Through the Never
Music Editor:   Matt
Fausak               
BEST SOUND
EDITING: MUSIC SCORE IN A FEATURE FILM                        
12 Years A
Slave        
Music Editor:   Katrina
Schiller          
47 Ronin        
Supervising Music Editor:       Andrew Silver
American
Hustle
Music Supervisor:       Susan
Jacobs
Gravity           
Supervising Music Editor:       Christopher Benstead
The Great
Gatsby      
Supervising Music Editor:       Jason Ruder
The Hobbit:
The Desolation of Smug
Supervising Music Editor:       Mark Willsher
Mandela:
Long Walk To Freedom   
Supervising Music Editor:       Lewis Morison
World War Z 
Supervising Sound Editor:       John Finklea
BEST SOUND
EDITING: SOUND EFFECTS & FOLEY IN A FEATURE FILM     
12 Years A
Slave        
Supervising Sound Editors:      Ryan Collins, MPSE, Robert Jackson
All Is Lost       
Supervising Sound Editors:      Richard Hymns, Steve Boeddeker
Captain
Phillips
Supervising Sound Editor:       Oliver Tarney, MPSE              
Fast &
Furious 6        
Supervising Sound Editor:       Peter Brown
Gravity           
Supervising Sound Editor:       Glenn Freemantle                  
The Hobbit:
The Desolation of Smug
          
Supervising Sound Editor:       Chris Ward
Iron Man 3    
Supervising Sound Editors:      Mark Stoeckinger, Andrew DeCristofaro, MPSE
Lone
Survivor           
Supervising Sound Editor:       Wylie Stateman                     
                                               
BEST SOUND
EDITING: DIALOGUE & ADR IN A FEATURE FILM      
12 Years A
Slave        
Supervising Sound Editor:       Ryan Collins, MPSE
American
Hustle       
Supervising Sound Editor:       John Ross        
August:
Osage County         
Supervising Sound Editor:       Lon Bender, MPSE     
Captain Phillips         
Supervising Sound Editor:       Oliver Tarney, MPSE  
Gravity           
Supervising Sound Editor:       Glenn Freemantle
Her
Supervising Sound Editor:       Ren Klyce
Inside
Llewyn Davis  
Supervising Sound Editor:       Skip Lievsay    
Lone
Survivor           
Supervising Sound Editor:       Wylie Stateman                     
BEST SOUND
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN ANIMATION FEATURE FILM
Cloudy With
A Chance Of Meatballs 2       
Supervising Sound Editor:       Geoffrey G. Rubay
The Croods    
Supervising Sound Editors:      Randy Thom, Jonathan Null   
Despicable
Me 2       
Supervising Sound Editors:      Dennis Leonard, Chris Scarabosio
Epic    
Supervising Sound Editors:      Randy Thom, Gwendolyn Yates Whittle
Ernest &
Celestine    
Supervising Sound Editor:       Fred Demolder           
Frozen
Supervising Sound Editor:       Odin Benitez, MPSE   
Monsters
University 
Supervising Sound Editors:      Michael Silvers           ,
Tom Myers
Planes
Supervising Sound Editors:      Todd Toon, MPSE, Rob Nokes
                                               
BEST SOUND
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN A FOREIGN FEATURE FILM
Blue Is the
Warmest Color                                       
Supervising Sound Editor:       Fabien Pochet
The
Grandmaster      
Supervising Sound Editors:      Robert Mackenzie, Traithep Wongpaiboon
The Past         
Supervising Sound Editor:       Thomas Desjonqueres
Wadjda          
Supervising Sound Editor:       Sebastian Schmidt                  
BEST SOUND
EDITING: DOCUMENTARY IN AN ANIMATION FEATURE FILM        
“1”      
Supervising Sound Editors:      Lon Bender, MPSE, Beau Borders
20 Feet From
Stardom         
Supervising Sound Editor:       Al Nelson
CinemAbility
Supervising Sound Editor:       Andrew DeCristofaro, MPSE
Dirty Wars
Supervising Sound Editor:       Christopher Barnett   
Good Ol’
Freda
Supervising Sound Editor:       Henry Auerbach
Muscle
Shoals           
Supervising Sound Editor:       Christopher Koch
Rising From
Ashes     
Supervising Sound Editors:      David Barber, MPSE, Ben Zarai
Sound City
Supervising Sound Editor:                                                      
VERNA FIELDS
AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS
Anamnesis     
National Film and Television School  
Sound Designer:          Filipe
Paszkiewicz
First Light      
National Film and Television School  
Sound Designer:          Raoul
Brand
If You’re
Serious       
University of Miami School of Communications       
Sound Designer:          Jorge
Fernandez
The
Magnificent Lion Boy
National Film & Television School
Sound Designer:          Ania
Przygoda
Miss Todd      
National Film & Television School     
Filmmaker:      Kristina
Yee
Robomax       
National Film & Television School     
Sound Designer:          Tingli
Lim
Sleeping
With The Fishes     
National Film and Television School  
Sound Designer:          Nikola
Medic
About The Motion Picture Sound Editors
(MPSE)
The MPSE is a non-profit organization whose mission is to provide
a wealth of knowledge from award-winning professionals to a diverse group of
individuals, youth and career professionals alike; mentoring and educating the
community about the artistic merit and technical advancements in sound and
music editing; providing scholarships and mentorship for the continuing
advancement of motion picture sound in education; and helping to enhance the
personal and professional lives of the men and women who practice this unique
craft.
For more information, visit http://mpse.org/ 
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