Los Angeles—January 17, 2014—The Motion Picture Sound
Editors (MPSE) today announces nominees for the
61st MPSE Golden Reel Awards in all categories. Nominees represent
the work of the world’s most talented sound artists and their contributions to
the past year’s most outstanding feature film, television, animation and
computer entertainment productions.
Editors (MPSE) today announces nominees for the
61st MPSE Golden Reel Awards in all categories. Nominees represent
the work of the world’s most talented sound artists and their contributions to
the past year’s most outstanding feature film, television, animation and
computer entertainment productions.
“This year’s Golden Reel nominees epitomize the craft of
sound production at its best,” said
MPSE president Frank Morrone. “We take great pride in recognizing the
achievements of talented men and women who continue to inspire us with their
imagination, resourceful and craft.” A complete list of nominees, with crew,
will be available on the The
61st MPSE Golden Reel Awards website next week.
sound production at its best,” said
MPSE president Frank Morrone. “We take great pride in recognizing the
achievements of talented men and women who continue to inspire us with their
imagination, resourceful and craft.” A complete list of nominees, with crew,
will be available on the The
61st MPSE Golden Reel Awards website next week.
The
MPSE Golden Reel Awards recognize outstanding achievement in sound editing in
22 categories encompassing feature films, television, animation, computer
entertainment and student work. The 61st MPSE Golden Reel
Awards will be held February 16, 2014 at the Westin Bonaventure Hotel and
Suites in Los Angeles.
MPSE Golden Reel Awards recognize outstanding achievement in sound editing in
22 categories encompassing feature films, television, animation, computer
entertainment and student work. The 61st MPSE Golden Reel
Awards will be held February 16, 2014 at the Westin Bonaventure Hotel and
Suites in Los Angeles.
The 61st MPSE
Golden Reel Awards Nominees
Golden Reel Awards Nominees
BEST SOUND
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR ANIMATION IN TELEVISION:
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR ANIMATION IN TELEVISION:
Fairly
OddParents
OddParents
Supervising Sound Editor: Heather Olsen, MPSE
Gravity
Falls
Falls
Supervising Sound Editor: Heather Olsen, MPSE
Star Wars:
The Clone Wars
The Clone Wars
Supervising Sound Editor: Matthew Wood
Monster High
Supervising Sound Editor: Joe Pizzulo
Phineas and
Ferb
Ferb
Supervising Sound Editor: Robert Poole II, MPSE
Teenage
Mutant Ninja Turtles
Mutant Ninja Turtles
Supervising Sound Editors: Jeff Shiffman, Otis Van Osten
Tron:
Uprising
Uprising
Supervising Sound Editor: Michael Ferdie
T.U.F.F.
Puppy
Puppy
Supervising Sound Editor: Heather Olsen, MPSE
BEST SOUND
EDITING: SHORT FORM DOCUMENTARY IN TELEVISION
EDITING: SHORT FORM DOCUMENTARY IN TELEVISION
North
America
America
Supervising Sound Editors: Kate Hopkins, Tim Owens
Through the
Wormhole with Morgan Freeman
Wormhole with Morgan Freeman
Supervising Sound Editor: Eric Raber
30 Days In
May
May
Supervising Sound Editor: Kelly Vandever
BEST SOUND
EDITING: LONG FORM DOCUMENTARY IN TELEVISION
EDITING: LONG FORM DOCUMENTARY IN TELEVISION
Deadliest
Catch: The Final Battle
Catch: The Final Battle
Supervising Sound Editor: Bob
Bronow, CAS
Bronow, CAS
30 for 30
BIG SHOT
BIG SHOT
Supervising Sound Editors: Eric Lalicata, Marcus Pardo
Manhunt
Supervising Sound Editors: Trip Brock, Steven Avila MPSE
BEST SOUND
EDITING: COMPUTER EPISODIC ENTERTAINMENT
EDITING: COMPUTER EPISODIC ENTERTAINMENT
Intel/Toshiba
The Power Inside
The Power Inside
Supervising Sound Editor: Darren “Sunny” Warkentin, MPSE
Mortal
Kombat:Legacy Series II
Kombat:Legacy Series II
Supervising Sound Editor: Michael Babcock
Video Game
High School (Season 2)
High School (Season 2)
Supervising Sound Editor: Paul Andre Fonarev
Bravest
Warriors
Warriors
Supervising Sound Editors: Gary Falcone, Joe Pizzulo
INSIDIOUS:
Spectral Sightings
Spectral Sightings
Supervising Sound Editor: Mark Camperell, MPSE
BEST SOUND
EDITING: COMPUTER INTERACTIVE ENTERTAINMENT
EDITING: COMPUTER INTERACTIVE ENTERTAINMENT
Batman
Arkham Origins
Arkham Origins
Supervising Sound Editor: Alain Larose
Final
Fantasy XIV – A Realm Reborn
Fantasy XIV – A Realm Reborn
Supervising Sound Editors: Scott Martin Gershin, MPSE, Masanobu ‘Tomi’ Tomita
The Last of
Us
Us
Supervising Sound Editor: Shannon Potter
Skylanders
Swap Force
Swap Force
Supervising Sound Editors: Mark Jasper, MPSE, Tom Hays
StarCraft 2:
Heart of the Swarm Cinematic
Heart of the Swarm Cinematic
Supervising Sound Editor: Paul Menichini, MPSE
BEST SOUND
EDITING: DIRECT TO VIDEO ANIMATION
EDITING: DIRECT TO VIDEO ANIMATION
Batman: The
Dark Knight Returns Pt.2
Dark Knight Returns Pt.2
Supervising Sound Editor: Robert Hargreaves, MPSE
Koala Kid
Supervising Sound Editor: Eric Lalicata
Superman:
Unbound
Unbound
Supervising Sound Editor: Robert Hargreaves, MPSE
BEST SOUND
EDITING: DIRECT TO VIDEO LIVE ACTION
EDITING: DIRECT TO VIDEO LIVE ACTION
The Baytown
Outlaws
Outlaws
Supervising Sound Editor: Eric Lalicata
Empire State
Supervising Sound Editor: David Barber, MPSE
Evidence
Supervising Sound Editors: Darren “Sunny” Warkentin, MPSE, Lon Bender, MPSE
The Frozen
Ground
Ground
Supervising Sound Editor: David Barber, MPSE
Lord of
Darkness
Darkness
Supervising Sound Editor: Trip Brock
Marvel
One-Shot: Agent Carter
One-Shot: Agent Carter
Supervising Sound Editor: Andrew DeCristofaro, MPSE
BEST SOUND
EDITING: SPECIAL VENUE
EDITING: SPECIAL VENUE
Great White
Shark 3D
Shark 3D
Supervising Sound Editor: Brian Eimer
Jerusalem
Supervising Sound Editors: Michael B. Bordeleau, Peter Thillaye
Journey to
the Pacific
the Pacific
Supervising Sound Editor: Andrew De Cristofaro, MPSE
Titans of
the Ice Age
the Ice Age
Supervising Sound Editor: Brian Eimer
To the
Arctic 3D
Arctic 3D
Supervising Sound Editor: Andrew De Cristofaro, MPSE
BEST SOUND
EDITING IN TELEVISION – SHORT FORM: DIALOGUE & ADR
EDITING IN TELEVISION – SHORT FORM: DIALOGUE & ADR
American
Horror Story: Coven
Horror Story: Coven
Supervising Dialogue Editor: Gary Megregian, MPSE
Boardwalk
Empire
Empire
Supervising ADR Editor: Jeffery Stern
Supervising Dialogue Editor: Fred Madsen
Breaking Bad
EP 513 “To’hajiilee”
EP 513 “To’hajiilee”
Supervising ADR Editor: Nick Forshager
Supervising Dialogue Editor: Kathryn Madsen
Family Tree
Supervising ADR Editor: Hamilton Sterling
Supervising Dialogue Editor: Alison Fisher
Game of
Thrones
Thrones
Supervising ADR Editor: Jed Dodge
Supervising Dialogue Editor: Tim Hands
House of
Lies Episode 204
Lies Episode 204
Supervising Dialogue & ADR Editor: Pembrooke Andrews
The Newsroom
Supervising ADR Editor: Mark Relyea
The Walking
Dead
Dead
Supervising Dialogue & ADR Editor: Lou Thomas
BEST SOUND
EDITING IN TELEVISION – SHORT FORM: SOUND EFFECTS & FOLEY
EDITING IN TELEVISION – SHORT FORM: SOUND EFFECTS & FOLEY
Boardwalk
Empire
Empire
Supervising Sound Editor: Fred Rosenberg
The Borgias
“The Face of Death”
“The Face of Death”
Supervising Sound Editor: Jane Tattersall, MPSE
Breaking Bad
EP 516 “Felina”
EP 516 “Felina”
Supervising Sound Editor: Nick Forshager
Homeland
Supervising Sound Editor: Craig Dellinger, MPSE
Game of
Thrones
Thrones
Supervising Sound Editor: Tim Kimmel
Once Upon a
Time in Wonderland
Time in Wonderland
Supervising Sound Editors: Joe Schultz, Tom de Gorter, MPSE
Vikings
Season One
Season One
Supervising Sound Editor: Jane Tattersall, MPSE
The Walking
Dead
Dead
Supervising Sound Editor: Jerry Ross
BEST SOUND
EDITING IN TELEVISION – LONG FORM: DIALOGUE & ADR
EDITING IN TELEVISION – LONG FORM: DIALOGUE & ADR
Bonnie And
Clyde Night 2 Dead and Alive
Clyde Night 2 Dead and Alive
Supervising Dialogue & ADR Editor: Pembrooke Andrews
The Bridge
Supervising ADR Editor: Mike Marchain
Dancing on
the Edge
the Edge
Supervising Dialogue & ADR Editor: Ian Wilkinson
Mob City
Supervising ADR Editor: Lou Thomas
Sons of
Anarchy “Mad King”
Anarchy “Mad King”
Supervising ADR Editor: Erich Gann
Supervising Dialogue Editor: Joy Ealy
BEST SOUND
EDITING IN TELEVISION – LONG FORM: SOUND EFFECTS & FOLEY
EDITING IN TELEVISION – LONG FORM: SOUND EFFECTS & FOLEY
The Bible
Supervising Sound Editor: Marc Lawes
Borealis
Supervising Sound Editors: Kevin Howard, MPSE, Robert Hegedus
Defiance
Supervising Sound Editors: Daniel Colman, MPSE, Jack Levy
Killing
Kennedy
Kennedy
Supervising Sound Editor Larry Goeb
Sons of
Anarchy “Salvage”
Anarchy “Salvage”
Supervising Sound Editor: Erich Gann
BEST SOUND
EDITING IN TELEVISION – SHORT FORM: MUSIC
EDITING IN TELEVISION – SHORT FORM: MUSIC
Arrested
Development
Development
Supervising Music Editor: Jason Tregoe Newman
Borgia
Supervising Music Editor: Robert Cotnoir, MPSE
CSI: Crime
Scene Investigation
Scene Investigation
Supervising Music Editor: Troy Hardy
Game of
Thrones
Thrones
Supervising Music Editor: David Klotz
The Good
Wife
Wife
Music Editor: Sharyn
Gersh
Gersh
Hostages
Music Editor: Skye
Lewin, MPSE
Lewin, MPSE
Marvel’s
Agents of S.H.I.E.L.D.
Agents of S.H.I.E.L.D.
Music Editor: Lodge
Worster
Worster
BEST SOUND
EDITING IN TELEVISION – SHORT FORM: MUSICAL
EDITING IN TELEVISION – SHORT FORM: MUSICAL
Glee
Supervising Music Editor: David Klotz
Nashville
Supervising Music Editor: Jen Monnar
The
Neighbors
Neighbors
Supervising Music Editor: Chris Foster
Peg + Cat
Supervising Music Editor: Steven Rebollido
Smash 207 –
Musical Chairs
Musical Chairs
Music Editor: Dan
Evans Farkas
Evans Farkas
BEST SOUND
EDITING IN TELEVISION – LONG FORM: MUSICAL
EDITING IN TELEVISION – LONG FORM: MUSICAL
History of
the Eagles
the Eagles
Music Editor: Annette
Kudrak, MPSE
Kudrak, MPSE
Smash
Supervising Sound Editor: Robert Cotnoir, MPSE
Teen Beach
Movie
Movie
Supervising Sound Editor: Amber Funk
BEST SOUND
EDITING: MUSIC IN A MUSICAL FEATURE FILM
EDITING: MUSIC IN A MUSICAL FEATURE FILM
Frozen
Music Editor: Fernand
Bos, MPSE
Bos, MPSE
Inside
Llewyn Davis
Llewyn Davis
Music Editor: Jen
Monnar
Monnar
Justin
Bieber’s Believe
Bieber’s Believe
Supervising Music Editor: Kevin McKeever
Metallica
Through the Never
Through the Never
Music Editor: Matt
Fausak
Fausak
BEST SOUND
EDITING: MUSIC SCORE IN A FEATURE FILM
EDITING: MUSIC SCORE IN A FEATURE FILM
12 Years A
Slave
Slave
Music Editor: Katrina
Schiller
Schiller
47 Ronin
Supervising Music Editor: Andrew Silver
American
Hustle
Hustle
Music Supervisor: Susan
Jacobs
Jacobs
Gravity
Supervising Music Editor: Christopher Benstead
The Great
Gatsby
Gatsby
Supervising Music Editor: Jason Ruder
The Hobbit:
The Desolation of Smug
The Desolation of Smug
Supervising Music Editor: Mark Willsher
Mandela:
Long Walk To Freedom
Long Walk To Freedom
Supervising Music Editor: Lewis Morison
World War Z
Supervising Sound Editor: John Finklea
BEST SOUND
EDITING: SOUND EFFECTS & FOLEY IN A FEATURE FILM
EDITING: SOUND EFFECTS & FOLEY IN A FEATURE FILM
12 Years A
Slave
Slave
Supervising Sound Editors: Ryan Collins, MPSE, Robert Jackson
All Is Lost
Supervising Sound Editors: Richard Hymns, Steve Boeddeker
Captain
Phillips
Phillips
Supervising Sound Editor: Oliver Tarney, MPSE
Fast &
Furious 6
Furious 6
Supervising Sound Editor: Peter Brown
Gravity
Supervising Sound Editor: Glenn Freemantle
The Hobbit:
The Desolation of Smug
The Desolation of Smug
Supervising Sound Editor: Chris Ward
Iron Man 3
Supervising Sound Editors: Mark Stoeckinger, Andrew DeCristofaro, MPSE
Lone
Survivor
Survivor
Supervising Sound Editor: Wylie Stateman
BEST SOUND
EDITING: DIALOGUE & ADR IN A FEATURE FILM
EDITING: DIALOGUE & ADR IN A FEATURE FILM
12 Years A
Slave
Slave
Supervising Sound Editor: Ryan Collins, MPSE
American
Hustle
Hustle
Supervising Sound Editor: John Ross
August:
Osage County
Osage County
Supervising Sound Editor: Lon Bender, MPSE
Captain Phillips
Supervising Sound Editor: Oliver Tarney, MPSE
Gravity
Supervising Sound Editor: Glenn Freemantle
Her
Supervising Sound Editor: Ren Klyce
Inside
Llewyn Davis
Llewyn Davis
Supervising Sound Editor: Skip Lievsay
Lone
Survivor
Survivor
Supervising Sound Editor: Wylie Stateman
BEST SOUND
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN ANIMATION FEATURE FILM
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN ANIMATION FEATURE FILM
Cloudy With
A Chance Of Meatballs 2
A Chance Of Meatballs 2
Supervising Sound Editor: Geoffrey G. Rubay
The Croods
Supervising Sound Editors: Randy Thom, Jonathan Null
Despicable
Me 2
Me 2
Supervising Sound Editors: Dennis Leonard, Chris Scarabosio
Epic
Supervising Sound Editors: Randy Thom, Gwendolyn Yates Whittle
Ernest &
Celestine
Celestine
Supervising Sound Editor: Fred Demolder
Frozen
Supervising Sound Editor: Odin Benitez, MPSE
Monsters
University
University
Supervising Sound Editors: Michael Silvers ,
Tom Myers
Tom Myers
Planes
Supervising Sound Editors: Todd Toon, MPSE, Rob Nokes
BEST SOUND
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN A FOREIGN FEATURE FILM
EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN A FOREIGN FEATURE FILM
Blue Is the
Warmest Color
Warmest Color
Supervising Sound Editor: Fabien Pochet
The
Grandmaster
Grandmaster
Supervising Sound Editors: Robert Mackenzie, Traithep Wongpaiboon
The Past
Supervising Sound Editor: Thomas Desjonqueres
Wadjda
Supervising Sound Editor: Sebastian Schmidt
BEST SOUND
EDITING: DOCUMENTARY IN AN ANIMATION FEATURE FILM
EDITING: DOCUMENTARY IN AN ANIMATION FEATURE FILM
“1”
Supervising Sound Editors: Lon Bender, MPSE, Beau Borders
20 Feet From
Stardom
Stardom
Supervising Sound Editor: Al Nelson
CinemAbility
Supervising Sound Editor: Andrew DeCristofaro, MPSE
Dirty Wars
Supervising Sound Editor: Christopher Barnett
Good Ol’
Freda
Freda
Supervising Sound Editor: Henry Auerbach
Muscle
Shoals
Shoals
Supervising Sound Editor: Christopher Koch
Rising From
Ashes
Ashes
Supervising Sound Editors: David Barber, MPSE, Ben Zarai
Sound City
Supervising Sound Editor:
VERNA FIELDS
AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS
AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS
Anamnesis
National Film and Television School
Sound Designer: Filipe
Paszkiewicz
Paszkiewicz
First Light
National Film and Television School
Sound Designer: Raoul
Brand
Brand
If You’re
Serious
Serious
University of Miami School of Communications
Sound Designer: Jorge
Fernandez
Fernandez
The
Magnificent Lion Boy
Magnificent Lion Boy
National Film & Television School
Sound Designer: Ania
Przygoda
Przygoda
Miss Todd
National Film & Television School
Filmmaker: Kristina
Yee
Yee
Robomax
National Film & Television School
Sound Designer: Tingli
Lim
Lim
Sleeping
With The Fishes
With The Fishes
National Film and Television School
Sound Designer: Nikola
Medic
Medic
About The Motion Picture Sound Editors
(MPSE)
(MPSE)
The MPSE is a non-profit organization whose mission is to provide
a wealth of knowledge from award-winning professionals to a diverse group of
individuals, youth and career professionals alike; mentoring and educating the
community about the artistic merit and technical advancements in sound and
music editing; providing scholarships and mentorship for the continuing
advancement of motion picture sound in education; and helping to enhance the
personal and professional lives of the men and women who practice this unique
craft.
a wealth of knowledge from award-winning professionals to a diverse group of
individuals, youth and career professionals alike; mentoring and educating the
community about the artistic merit and technical advancements in sound and
music editing; providing scholarships and mentorship for the continuing
advancement of motion picture sound in education; and helping to enhance the
personal and professional lives of the men and women who practice this unique
craft.
For more information, visit http://mpse.org/
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