NEW YORK— In a sign of its ongoing
commitment to independent film, Technicolor-PostWorks, New York, provided post
production services for eight films screening at the 2014 Sundance Film
Festival. The facility delivered a variety of creative and technical services,
ranging from editorial systems to color grading, for the films, which include
two dramatic features, a comedy feature, three feature-length documentaries and
two shorts.
Several of the films went through final post production
processing at The Room, Technicolor-PostWorks’ boutique finishing facility,
founded by master conforming editor Ben Murray. Technicolor-PostWorks has a
long history of support for Sundance, including this year serving as an
Official Technology Supplier.

“We are very happy to have contributed to the festival
this year—a particularly exciting one for New York filmmakers,” said
Technicolor-PostWorks CTO Joe Beirne.  “Our Sundance projects reflect an
immense range, from an intimately tranquil narrative, Memphis, to Edet Belzberg’s magisterial study
of the struggle against genocide, Watchers
of the Sky
. We continue our long collaboration with Alex Gibney with his Finding Fela!, which opens up the
life of the transcendent Afro-Beat star, and are proud of our color work
on Jeff Preiss’s  Low Down, John
D. Harkrider’s All the Beautiful Things,
and David Wain’s They Came Together,
as well as on the short films Immaculate
Reception
and Jonathan’s Chest.
Our warmest congratulations go to all the filmmakers.”
Technicolor-PostWorks contributed to the following Sundance films:
All the Beautiful Things; documentary; John D. Harkrider, director; Brian
O’Carroll, cinematographer. Technicolor-PostWorks provided dailies, 4K
conform and color, and film recording; Tif Luckenbill was the conforming editor
and Sam Daley was the colorist.  The
Room’s Ben Murray provided VFX.
All the Beautiful Things
Finding Fela!; documentary; Alex Gibney, director; Maryse
Alberti, cinematographer. The Room’s Allie Ames was the conforming editor and
Jack Lewars was the colorist.
Finding Fela!
Immaculate Reception; short; Charlotte Glynn, director; Greta
Zozula, cinematographer. Technicolor-PostWorks’ Sam Daley was the colorist.
Immaculate Reception
Jonathan’s Chest; short; Christopher
Radcliff, director; Jeff Powers,
cinematographer. Technicolor-PostWorks’ Sam Daley was the colorist.  
Jonathan’s Chest
Low Down; feature drama;
Jeff Preiss, director; Christopher Blauvelt, cinematographer.
Technicolor-PostWorks’ Tim Stipan was the colorist.
Low Down
Memphis; feature drama; Tim Sutton, director; Chris Dapkins,
cinematographer. The Room provided 4K color; Jack Lewars was the colorist.
Memphis
They Came Together; feature comedy; David Wain, director; Tom
Houghton, cinematographer. Technicolor-PostWorks’ Sam Daley provided color
grading.  The Room’s Jeff Cornell was the
conforming editor. 
They Came Together
Watchers of the Sky; documentary; Edet Belzberg, director. The
Room’s Ben Murray provided conform and color.
Watchers of the Sky
About Technicolor – PostWorks New York
Technicolor
– PostWorks New York is the East Coast’s most comprehensive digital motion
picture and post-production facility, employing an exceptional team of artists,
engineers and project managers to serve our clients through the film and TV
finishing process.
Offering
data workflows, film processing, telecine/scanning, non-linear editorial and HD
picture finishing, digital intermediate and film recording, high-volume
encoding and high-speed data transmission, as well as comprehensive film and TV
sound services on nine mix stages, Technicolor – PostWorks New York serves as
one source for every post production requirement.
For
more information, visit http://www.technicolorpwny.com
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