HOLLYWOOD—The Motion Picture Sound
Editors presented the 61st MPSE Golden Reel Awards at a
black-tie ceremony held at the Bonaventure Hotel in Los Angeles last night.
Golden Reel Awards recognizing outstanding achievement in sound editing were
presented in 24 categories encompassing feature films, long-form and short-form
television, animation, documentaries and other media. Star Wars creator George Lucas presented the annual MPSE Career
Achievement Award to Randy Thom, Director of Sound Design at Skywalker Sound.
The evening also featured a Special Tribute to sound pioneer Ray Dolby,
introduced by MPSE Career Achievement winner Walter Murch.
Editors presented the 61st MPSE Golden Reel Awards at a
black-tie ceremony held at the Bonaventure Hotel in Los Angeles last night.
Golden Reel Awards recognizing outstanding achievement in sound editing were
presented in 24 categories encompassing feature films, long-form and short-form
television, animation, documentaries and other media. Star Wars creator George Lucas presented the annual MPSE Career
Achievement Award to Randy Thom, Director of Sound Design at Skywalker Sound.
The evening also featured a Special Tribute to sound pioneer Ray Dolby,
introduced by MPSE Career Achievement winner Walter Murch.
MPSE president Frank Morrone gave the opening address.
Supervising sound editor Glenn T. Morgan and casting director Jeremy Gordon
presented the Verna Fields Award for Sound Editing in Student Films and the Ethel
Crutcher Scholarship Award to students from England’s National Film and
Television School. Other presenters included sound artists Mark Lanza, Joanie
Diener, Kim Jimenez, Tom McCarthy and Erik Aadahl, as well as actors Navid
Negahban, Julia Parker, Dayo Okeniyi and Callan McAuliffe, and
producer/director Jon Chu.
Supervising sound editor Glenn T. Morgan and casting director Jeremy Gordon
presented the Verna Fields Award for Sound Editing in Student Films and the Ethel
Crutcher Scholarship Award to students from England’s National Film and
Television School. Other presenters included sound artists Mark Lanza, Joanie
Diener, Kim Jimenez, Tom McCarthy and Erik Aadahl, as well as actors Navid
Negahban, Julia Parker, Dayo Okeniyi and Callan McAuliffe, and
producer/director Jon Chu.
 |
| George Lucas presents Randy Thom with the 2014 MPSE Career Achievement Award |
About MPSE
Founded in 1953, the Motion
Picture Sound Editors is a non-profit organization of professional sound and
music editors who work in the motion pictures and television industry. The
organization’s mission is to provide a wealth of knowledge from award winning
professionals to a diverse group of individuals, youth and career professionals
alike; mentoring and educating the community about the artistic merit and
technical advancements in sound and music editing; providing scholarships for
the continuing advancement of motion picture sound in education; and helping to
enhance the personal and professional lives of the men and women who practice
this unique craft.
Picture Sound Editors is a non-profit organization of professional sound and
music editors who work in the motion pictures and television industry. The
organization’s mission is to provide a wealth of knowledge from award winning
professionals to a diverse group of individuals, youth and career professionals
alike; mentoring and educating the community about the artistic merit and
technical advancements in sound and music editing; providing scholarships for
the continuing advancement of motion picture sound in education; and helping to
enhance the personal and professional lives of the men and women who practice
this unique craft.
 |
| Walter Murch introduces the MPSE’s Special Tributer to Ray Dolby |
2014 Golden Reel Award
Winners
Winners
CAREER ACHIEVEMENT AWARD
Randy Thom
TV/Feature Animation & Documentary
BEST
SOUND & MUSIC EDITING: TELEVISION ANIMATION
SOUND & MUSIC EDITING: TELEVISION ANIMATION
FAIRLY
ODD PARENTS “DUMBBELL CURVE” (NICKELODEON
)
ODD PARENTS “DUMBBELL CURVE” (NICKELODEON
)
Directed by: Randy Myers, Michelle Bryan
Produced by: Butch Hartman, George Goodchild
Nominees:
Supervising Sound Editor: Heather Olsen, MPSE
Sound Designer: Heather Olsen, MPSE
Supervising Foley Editor: Roy Braverman
Supervising Dialogue Editor: Robbi Smith, MPSE
Foley Artist: John Lampinen
BEST
SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY SHORT FORM
SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY SHORT FORM
NORTH
AMERICA: NO PLACE TO HIDE (DISCOVERY
CHANNEL)
AMERICA: NO PLACE TO HIDE (DISCOVERY
CHANNEL)
Produced by: Keith Scholey, Christine Weber
Nominees:
Supervising Sound Editors: Kate
Hopkins, Tim Owens
Hopkins, Tim Owens
Sound Effects Editor: Stephen Griffiths
Assistant Dialogue Editor: Owen Peters
Music Editor: Michael Baber
BEST
SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY LONG FORM
SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY LONG FORM
DEADLIEST
CATCH: THE FINAL BATTLE: THE FINAL BATTLE (DISCOVERY)
CATCH: THE FINAL BATTLE: THE FINAL BATTLE (DISCOVERY)
Directed by: Jared Cook
Produced by: John Gray
Nominees:
Supervising Sound Editor: Bob Bronow, CAS
Sound Designer: Bob Bronow, CAS
Sound Effects Editors: Kevin
Skaggs, Selina Zakaria
Skaggs, Selina Zakaria
Dialogue/ADR Editor: Jason
Tuttle
Tuttle
Dialogue Editors: Kevin Skaggs, Edward
Rodriguez
Rodriguez
Music Editor: Doug
Kern
Kern
BEST
SOUND & MUSIC EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN
ANIMATION FEATURE FILM
SOUND & MUSIC EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN
ANIMATION FEATURE FILM
EPIC
(20TH CENTURY FOX )
(20TH CENTURY FOX )
Directed by: Chris Wedge
Produced by: Lori Forte, Jerry Davis
Nominees:
Supervising Sound Editors: Gwendolyn
Yates Whittle, MPSE, Randy Thom
Yates Whittle, MPSE, Randy Thom
Sound Designers: Randy
Thom, Jeremy Bowker
Thom, Jeremy Bowker
Supervising Foley Editor: Luke
Dunn Gielmuda
Dunn Gielmuda
Supervising Dialogue Editor: Brad Semenoff
Foley Artists: Denise Thorpe, Jana Vance
Foley Editors: Benny Burtt, Jim Likowski
Dialogue Editor: Michael Silvers
Sound Effects Editors: Leff
Lefferts, Andre Fenley, Kyrsten Mate, Kent Sparling
Lefferts, Andre Fenley, Kyrsten Mate, Kent Sparling
Music Editors: Lisa Jaime, Bill Abbott
BEST
SOUND & MUSIC EDITING: DOCUMENTARIES – FEATURE FILM
SOUND & MUSIC EDITING: DOCUMENTARIES – FEATURE FILM
DIRTY
WARS (IFC)
WARS (IFC)
Directed by: Richard Rowley
Produced by: Anthony Arnove, Brenda Conklin
Nominees:
Supervising Sound Editor: Christopher Barnett
Sound Designers: Christopher Barnett, Brandon Proctor
Student Filmmaker
VERNA
FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMS & PRESENTATION OF
SCHOLARSHIP AWARD
FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMS & PRESENTATION OF
SCHOLARSHIP AWARD
ROBOMAX
(NATIONAL FILM AND TELEVISION SCHOOL)
(NATIONAL FILM AND TELEVISION SCHOOL)
NOMINEES:
Supervising Sound Editor: Tingli Lim
Sound Designer: Tingli Lim
Foley Artist: Ricky Butt
Music Editors: Sarah
Warne, Tingli Lim
Warne, Tingli Lim
Computer/Direct to Video/Foreign Feature
BEST
SOUND & MUSIC EDITING: COMPUTER EPISODIC ENTERTAINMENT
SOUND & MUSIC EDITING: COMPUTER EPISODIC ENTERTAINMENT
MORTAL
KOMBAT: LEGACY SERIES II – EP.4 (Warner Premiere)
KOMBAT: LEGACY SERIES II – EP.4 (Warner Premiere)
Directed by: Kevin Tancharoen
Produced by: Kevin Tancharoen
Nominees:
Supervising Sound Editor: Michael Babcock
Sound Designers: Michael Babcock, Tim Gedemer
Supervising Foley Editor: Jeff Sawyer
Foley Artist: Gregg Barbanell
Sound Effects Editors: Ian Herzon, Bryan Jerden
BEST
SOUND & MUSIC EDITING: COMPUTER INTERACTIVE ENTERTAINMENT
SOUND & MUSIC EDITING: COMPUTER INTERACTIVE ENTERTAINMENT
STARCRAFT
2: HEART OF THE SWARM CINEMATIC (BLIZZARD
ENTERTAINMENT, INC.)
2: HEART OF THE SWARM CINEMATIC (BLIZZARD
ENTERTAINMENT, INC.)
Directed by: Jeff Chamberlain, Nicholas S. Carpenter
Produced by: Caroline Hernandez, MPSE, Phillip Hillenbrand
Nominees:
Supervising Sound Editor: Paul Menichini, MPSE
Sound Designers: Paul Menichini, MPSE, David Farmer, Stuart
Provine
Provine
Supervising Foley Editor: Darrin Mann
Supervising ADR Editor: Andrea Toyias
Foley Artist: Gregg Barbanell, MPSE
Sound Effects Editor: Caroline Hernandez, MPSE
Sound Editors: Thomas C. Brewer, MPSE, John Kurlander
Dialogue/ADR Editors: Alexander Ephraim, Clinton D. Jones
Music Editor: Neal Acree
BEST
SOUND & MUSIC EDITING: DIRECT TO VIDEO – ANIMATION
SOUND & MUSIC EDITING: DIRECT TO VIDEO – ANIMATION
BATMAN:
THE DARK KNIGHT RETURNS PT. 2 (WARNER
BROS. ANIMATION)
THE DARK KNIGHT RETURNS PT. 2 (WARNER
BROS. ANIMATION)
Directed by: Jay Oliva
Produced by: Bruce Timm, Sam Register
Nominees:
Supervising Sound Editor: Robert Hargreaves, MPSE
Sound Designer: Robert Hargreaves, MPSE
Supervising Dialogue Editor: Mark Keatts
Foley Artist: Gary Marullo
Sound Effects Editor: George Brooks
Dialogue Editors: Kelly Foley-Downs, Mike Garcia
Foley Editor: John Hegedes
BEST
SOUND & MUSIC EDITING: DIRECT TO VIDEO – LIVE ACTION
SOUND & MUSIC EDITING: DIRECT TO VIDEO – LIVE ACTION
MARVEL
ONE-SHOT: AGENT CARTER (WALT DISNEY STUDIO)
ONE-SHOT: AGENT CARTER (WALT DISNEY STUDIO)
Directed by: Louis D’ Esposito
Produced by: Kevin Feige, Brad Baruh, Brad Winderbaum, Victoria Alonso, Mitch
Bell
Bell
Nominees:
Supervising Sound Editor: Andrew DeCristofaro, MPSE
Sound Designers: Ann Scibelli, MPSE, Michael Payne, MPSE
Supervising Dialogue Editor: Laura Harris-Atkinson
Foley Artists: Gary A. Hecker, Gary Marullo
BEST
SOUND & MUSIC EDITING: SPECIAL VENUE
SOUND & MUSIC EDITING: SPECIAL VENUE
TO
THE ARTIC 3D (Warner Brothers
Studios)
THE ARTIC 3D (Warner Brothers
Studios)
Directed by: Greg MacGillivray
Produced by: Shaun MacGillivray, Christopher N. Palmer
Nominees:
Supervising Sound Editor: Andrew De Cristofaro, MPSE
Sound Designers: Stephen P. Robinson, MPSE, Peter Staubli, MPSE
Sound Effects Editors: Edmond
Coblentz, Michael Payne, MPSE, Gayle Wesley, Bruce Tanis, MPSE
Coblentz, Michael Payne, MPSE, Gayle Wesley, Bruce Tanis, MPSE
Supervising Dialogue/ADR Editor: Tim
Kimmel
Kimmel
Dialogue Editor: Steve Judson
Supervising Foley Editor: Kerry Carmean-Williams
Foley Artists: Gary A. Hecker, Gary Marullo
Music Editor: Steve Wood
BEST
SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE
SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE
THE
GRANDMASTER (THE WEINSTEIN COMPANY)
GRANDMASTER (THE WEINSTEIN COMPANY)
Directed by: Wong Kar Wai
Produced by: Wong Kar Wai, Jacky Pang Yee Wah
Nominees:
Supervising Sound Editors: Robert Mackenzie, Traithep Wongpaiboon
Sound Designers: Nopawat Likitwong, Steve Burgess
Supervising Foley Editor: John Simpson
Supervising Dialogue & ADR Editor: Gary Chen
Foley Artists: Sam Rogers, Chumnan Chuponkrang
Sound Effects Editors: James
Ashton, Chris Goodes, Luke Mynot, Sam Petty,Narubett Peamyai, Ekaratt
Chungsanga
Ashton, Chris Goodes, Luke Mynot, Sam Petty,Narubett Peamyai, Ekaratt
Chungsanga
BEST
SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE
SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE
THE
PAST (SONY PICTURES CLASSICS)
PAST (SONY PICTURES CLASSICS)
Directed by: Asghar Farhadi
Produced by: Alexandre Mallet-Guy
Nominees:
Supervising Sound Editor: Thomas Desjonqueres
Supervising ADR Editor: Frédérique Liebaut
Foley Artists: François Lepeuple
Television Short Form
BEST
SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC
SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC
GAME
OF THRONES: “THE RAINS OF CASTAMERE”
(HBO ENTERTAINMENT)
OF THRONES: “THE RAINS OF CASTAMERE”
(HBO ENTERTAINMENT)
Directed by: David Nutter
Produced by: David Benioff, D.B. Weiss
Nominees:
Supervising Music Editor: David Klotz
BEST
SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC, MUSICAL
SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC, MUSICAL
PEG
+ CAT: THE BEETHOVEN PROBLEM (PBS)
+ CAT: THE BEETHOVEN PROBLEM (PBS)
Directed by: Jennifer Oxley, Billy Aronson, Cory Bobiak
Produced by: Alia Nakashima, Jaclynn (Demas) Gennawey
Nominees:
Supervising Music Editor: Steven Rebollido
Music Editors: J. Walter Hawkes, Daniel Mennella
BEST
SOUND EDITING IN TELEVISION: SHORT FORM – DIALOGUE AND ADR
SOUND EDITING IN TELEVISION: SHORT FORM – DIALOGUE AND ADR
GAME
OF THRONES: “THE RAINS OF CASTAMERE”
(HBO ENTERTAINMENT)
OF THRONES: “THE RAINS OF CASTAMERE”
(HBO ENTERTAINMENT)
Directed by: David Nutter
Produced by: David Benioff, D.B. Weiss
Nominees:
Supervising Sound Editor: Tim Kimmel
Supervising Dialogue Editor: Jed Dodge
Supervising ADR Editor: Tim Hands
ADR Editors: Ruth Adelman, Martin Mahon
BEST
SOUND EDITING IN TELEVISION: SHORT FORM – SOUND EFFECTS AND FOLEY
SOUND EDITING IN TELEVISION: SHORT FORM – SOUND EFFECTS AND FOLEY
BREAKING
BAD:FELINA (AMC)
BAD:FELINA (AMC)
Directed by: Vince Gilligan
Produced by: Diane Mercer, Bryan Cranston
Nominees:
Supervising Sound Editor: Nick Forshager
Foley Artists: Gregg Barbanell, Dominique Tabach
Decaudain
Decaudain
Sound Effects Editors: Mark Cookson, Cormac Funge
Foley Editors: Timothy Boggs, Jeff Cranford
Television Long Form
BEST
SOUND EDITING IN TELEVISION: LONG FORM – MUSIC, MUSICAL
SOUND EDITING IN TELEVISION: LONG FORM – MUSIC, MUSICAL
HISTORY
OF THE EAGLES: PART ONE (SHOWTIME)
Directed by: Alison Ellwood
OF THE EAGLES: PART ONE (SHOWTIME)
Directed by: Alison Ellwood
Produced by: Alex Gibney, Blair Foster
Nominees:
Music Editor: Annette Kudrak
BEST
SOUND EDITING IN TELEVISION: LONG FORM – DIALOGUE & ADR
SOUND EDITING IN TELEVISION: LONG FORM – DIALOGUE & ADR
THE
BRIDGE: “PILOT” (SHINE AMERICA)
BRIDGE: “PILOT” (SHINE AMERICA)
Directed by: Gerardo Naranjo
Produced by: Meredith Stiehm, Elwood Reid
Nominees:
Supervising Sound Editor: Mike Marchain
Supervising Dialogue/ADR Editor: Mike
Marchain
Marchain
Dialogue Editors: Paul Longstaffe, Charles Kolander, Robert
Guastini, MPSE
Guastini, MPSE
BEST
SOUND EDITING IN TELEVISION: LONG FORM – SOUND EFFECTS AND FOLEY
SOUND EDITING IN TELEVISION: LONG FORM – SOUND EFFECTS AND FOLEY
SONS
OF ANARCHY: SALVAGE (FX NETWORK)
OF ANARCHY: SALVAGE (FX NETWORK)
Directed by: Adam Arkin
Produced by: Kurt Sutter, Craig Yahata
Nominees:
Supervising Sound Editor: Erich Gann
Sound Designers: Robert Costanza, Mike Dickeson
Supervising Foley Editor: Bill Bell
Foley Artists: Tim Chilton, Jill Sanders
Assistant Sound Editor: Kevin Meltcher
Feature Film
BEST
SOUND EDITING IN FEATURE FILM – MUSIC
SOUND EDITING IN FEATURE FILM – MUSIC
THE
GREAT GATSBY (WARNER BROS.)
GREAT GATSBY (WARNER BROS.)
Directed by: Baz Luhrman
Produced by: Catherine Knapman, Baz Luhrmann, Catherine Martin
Nominees:
Supervising Music Editors: Jason Ruder, Tim Ryan
Music Editor: Craig Beckett
BEST
SOUND EDITING IN FEATURE FILM – MUSIC, MUSICAL FEATURE
SOUND EDITING IN FEATURE FILM – MUSIC, MUSICAL FEATURE
FROZEN
(BUENA VISTA)
(BUENA VISTA)
Directed by: Chris Buck, Jennifer Lee
Produced by: Peter Del Vecho
Nominees:
Music Editors: Earl Ghaffari, Fernand Bos, MPSE
BEST
SOUND EDITING IN FEATURE FILM – DIALOGUE AND ADR
SOUND EDITING IN FEATURE FILM – DIALOGUE AND ADR
CAPTAIN
PHILLIPS (COLUMBIA PICTURES)
PHILLIPS (COLUMBIA PICTURES)
Directed by: Paul Greengrass
Produced by: Scott Rudin, Michael De Luca
Nominees:
Supervising Sound Editor: Oliver Tarney, MPSE
Supervising Dialogue Editor: Bjørn Schroeder
Supervising ADR Editor: Simon Chase
Dialogue Editor: Rob Killick
BEST
SOUND EDITING IN FEATURE FILM – SOUND EFFECTS AND FOLEY
SOUND EDITING IN FEATURE FILM – SOUND EFFECTS AND FOLEY
GRAVITY
(WARNER BROS.)
(WARNER BROS.)
Directed by: Alfonso Cuarón
Produced by: Alfonso Cuarón, David Heyman
Nominees:
Supervising Sound Editor: Glenn Freemantle
Sound Designer: Glenn Freemantle
Foley Artist: Nicolas Becker
Sound Design Editors: Niv Adiri, Ben Barker, Eilam
Hoffman
Hoffman
Sound Effects Editor: Danny Freemantle
Foley Editor: Hugo Adams
Creative Director
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