YORK—In keeping with its long
tradition of support for independent film, Technicolor-PostWorks
New York
is serving as Official Post Provider to the Hamptons International
Film Festival. New York’s most comprehensive supplier of post production
services for motion pictures and television, the facility is handling editorial
finishing and deliverables for a variety of media that will be viewed prior to
and during the festival. The 22nd
Annual Hamptons International Film Festival takes place October 9-13.
“It’s reassuring to have the
support of a leading post facility like Technicolor-PostWorks New York as
technology continues to evolve and the festival takes on new
digital exhibition formats,” said HIFF Executive Director Anne Chaisson.  
“I have relied on their experienced team for my own films and am excited to
collaborate with them again through the festival.”

Technicolor-PostWorks has been a
strong partner to independent film through its support for festivals and as a
key post production service provider to independent feature films,
documentaries and shorts. It is also a sponsor of The Woodstock Film Festival
(October 15-19) and DOC NYC (November 13-20),  and is a past sponsor of such festivals as
Sundance and Tribeca.
Several films screening at this
year’s Hamptons International Film Festival completed post production at
Technicolor-PostWorks. They include:
St. Vincent, Theodore
Melfi’s comedy about a single mom (Melissa McCarthy) who recruits her grumpy
neighbor (Bill Murray) to babysit her 12-year-old son; John Lindley,
cinematographer; Sarah Flack and Peter Teschner, editors. Technicolor-PostWorks
provided 35mm film processing and dailies services; Chris Gennarelli, dailies
colorist. Editorial conforming and color grading was completed at The Room;
Allie Ames, conforming editor; Jack Lewars, colorist.

Low Down, Jeff Preiss’s drama about the life of pianist Joe
Albany; Christopher Blauvelt, cinematographer; Michael Saia, editor.
Technicolor-PostWorks provided color grading and deliverables; Tim Stipan,

Stray Dog, Debra Granik’s documentary about biker and Viet Nam
vet Ron “Stray Dog” Hall; Eric Phillips-Horst, cinematographer; Victoria
Stewart, editor. Technicolor-PostWorks provided color grading services; Sam
Daley, colorist.

Sure Thing, Deborah Reinisch’s short comedy about a couple who
meet over a café table, Chris Heinrich, cinematographer; Gordon Holmes,
editor.  Technicolor-PostWorks provided
color grading services; Sam Daley, colorist.

Technicolor Post-Works also provided DCP and/or film-out services
for  Madame
(Sophie Barthes, director) 5
to 7
(Victor Levin, director) Kumiko,
The Treasure Hunter
(David Zellner, director) and Time Out of Mind (Oren Moverman, director).
About Technicolor – PostWorks New York
– PostWorks New York is the East Coast’s most comprehensive digital motion
picture and post-production facility, employing an exceptional team of artists,
engineers and project managers to serve our clients through the film and TV
finishing process.
– PostWorks New York offers one complete source for every post requirement,
including data workflows, film processing, telecine/scanning, non-linear
editorial and HD picture finishing, digital intermediate and film recording,
high-volume encoding and high-speed data transmission, as well as comprehensive
film and TV sound services on nine mix stages.
For more information,
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