New York post production facility provides editorial
suites, color grading and other finishing services for stylish thriller based
on an Edgar Allan Poe tale.
suites, color grading and other finishing services for stylish thriller based
on an Edgar Allan Poe tale.
NEW YORK—Technicolor-PostWorks
New York provided post production services for Stonehearst Asylum, the new suspense film from Director Brad
Anderson and Millennium Entertainment. The facility provided editorial systems
and support to the production and also handled editorial conforming, color
grading and deliverables.
New York provided post production services for Stonehearst Asylum, the new suspense film from Director Brad
Anderson and Millennium Entertainment. The facility provided editorial systems
and support to the production and also handled editorial conforming, color
grading and deliverables.
Based on an Edgar Allan Poe story, Stonehearst Asylum stars Kate Beckinsale, Ben Kingsley, Jim
Sturgess and Michael Caine in a thriller about patients who take over a corrupt
mental institution. The film was shot in Bulgaria with Thomas Yatsko as
cinematographer. Brian Gates edited the film at Technicolor-PostWorks’ West
Village location on Greenwich Street. The film was conformed by editor George
Bunce on Autodesk Smoke. Technicolor-PostWorks generated DCP, film and video
deliverables.
Senior Colorist Sam Daley applied the final grade, working
under the direct supervision of Anderson and Yatsko. Daley’s role was to
enhance the film’s period setting and tense story. “The film takes place at the
very end of the 19th century,” notes Yatsko. “It’s set in a remote
location in northern England. It’s winter and the facility has no electricity,
little oil and few supplies. Most scenes are lit by candlelight.”
under the direct supervision of Anderson and Yatsko. Daley’s role was to
enhance the film’s period setting and tense story. “The film takes place at the
very end of the 19th century,” notes Yatsko. “It’s set in a remote
location in northern England. It’s winter and the facility has no electricity,
little oil and few supplies. Most scenes are lit by candlelight.”
Yatsko contrasted the warm candlelight with blue lighting
from the windows to create separation and convey the sense that we are in a
remote country location. That resulted in a dark, moody look that was
further refined in post production. “Sam had his challenges,” Yatsko adds. “In
addition to working with minimal light, we shot in Bulgaria in the summer time,
where it was hot and sunny, while what we needed was a look that was grey and
gloomy.”
from the windows to create separation and convey the sense that we are in a
remote country location. That resulted in a dark, moody look that was
further refined in post production. “Sam had his challenges,” Yatsko adds. “In
addition to working with minimal light, we shot in Bulgaria in the summer time,
where it was hot and sunny, while what we needed was a look that was grey and
gloomy.”
Daley applied a number of atmospheric effects, enhancing the
glow of candles and smoothing fog in exterior scenes. He also spent
considerable time making skin tone adjustments. “Many of the characters are
meant to look unhealthy, as if they are sick or have not been eating well,” Daley
explains. “We took some of the life out of their faces. Our Lustre allowed me
to isolate skin tones and manipulate them independent of the surrounding
frame.”
glow of candles and smoothing fog in exterior scenes. He also spent
considerable time making skin tone adjustments. “Many of the characters are
meant to look unhealthy, as if they are sick or have not been eating well,” Daley
explains. “We took some of the life out of their faces. Our Lustre allowed me
to isolate skin tones and manipulate them independent of the surrounding
frame.”
The final look of the film, says Daley, is different from
most period dramas. “Although the hair, wardrobe and set were all period, we
treated it like a modern suspense film,” Daley says. “We made a lot of strong
color choices. We didn’t go into a
modern palette, but we pushed the colors. We walked a fine line: respecting the
time period, while delivering an entertaining movie.”
most period dramas. “Although the hair, wardrobe and set were all period, we
treated it like a modern suspense film,” Daley says. “We made a lot of strong
color choices. We didn’t go into a
modern palette, but we pushed the colors. We walked a fine line: respecting the
time period, while delivering an entertaining movie.”
About Technicolor – PostWorks New York
Technicolor
– PostWorks New York is the East Coast’s most comprehensive digital motion
picture and post-production facility, employing an exceptional team of artists,
engineers and project managers to serve our clients through the film and TV
finishing process.
– PostWorks New York is the East Coast’s most comprehensive digital motion
picture and post-production facility, employing an exceptional team of artists,
engineers and project managers to serve our clients through the film and TV
finishing process.
Technicolor
– PostWorks New York offers one complete source for every post requirement,
including data workflows, film processing, telecine/scanning, non-linear
editorial and HD picture finishing, digital intermediate and film recording,
high-volume encoding and high-speed data transmission, as well as comprehensive
film and TV sound services on nine mix stages.
– PostWorks New York offers one complete source for every post requirement,
including data workflows, film processing, telecine/scanning, non-linear
editorial and HD picture finishing, digital intermediate and film recording,
high-volume encoding and high-speed data transmission, as well as comprehensive
film and TV sound services on nine mix stages.
For more information,
visit http://www.technicolorpwny.com
visit http://www.technicolorpwny.com
Creative Director
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