Facility provides post services for
several films debuting in Park City, including “Ten Thousand Saints,” “Z for
Zachariah” and Alex Gibney’s doc “Going Clear.”

NEW YORK—Technicolor-PostWorks New York provided
post-production services for several films making their world premieres at this
year’s Sundance Film Festival. Technicolor-PostWorks is a Preferred Technical
Vendor to The Sundance Film Festival. The festival is slated for January 22nd
through February 1st in Park City, Utah.

Sundance films posted
at Technicolor-PostWorks include:

Ten Thousand Saints, directors Shari Springer Berman and Robert
Pulcini’s film set in New York’s East Village in the 1980s, starring Ethan
Hawke, Hailee Steinfeld and Asa Butterfield. Technicolor-PostWorks provided
film dailies, editorial conforming and color grading services, and additional
visual effects; Jack Lewars, DI colorist; Chad Schermerhorm, conforming editor;
Jake Caffera, dailies colorist.
Mississippi Grind, directors
Anna Boden and Ryan Fleck’s story of two men on a gambling road trip through
the South. It stars Sienna Miller, Ryan Reynolds and Analeigh Tipton.
Technicolor-PostWorks provided film dailies, scanning, editorial conforming and
color grading services; Josh Olive, dailies colorist; Jake Caffera and Nate
Davis, scanning specialists; Chad Schermerhorn, conforming editor.

Z for Zachariah, director Craig Zobel’s post-apocalyptic
drama starring Chris Pine and Margot Robbie. Technicolor-PostWorks provided DI facilities,
sound mixing facilities and additional visual effects services; visiting
colorist, Color Collective; visiting mixer, Michael Barry.
Going Clear: Scientology and the Prison of Belief, Alex
Gibney’s latest documentary. Technicolor-PostWorks provided color grading and
editorial conforming services; Jack Lewars, DI colorist; Jeff Cornell, conforming
editor. (Lewars has graded several films for Gibney, including Finding Fela!, The Armstrong Lie, We Steal
Secrets: The Story of WikiLeaks
and History
of the Eagles Part One.

The Jinx: The Life and Deaths of Robert Durst, Andrew Jarecki’s
documentary for HBO about the heir to a New York real estate fortune accused of
three murders. Technicolor-PostWorks provided color grading and editorial
conforming services; Sean R. Smith, conforming editor and colorist. (The first part of the six-part series
will screen as a Sundance Special Event.)
Additionally, the facility provided editorial conforming
services for Cop Car, Jon Watts’ drama starring Kevin Bacon, and Don
, Jared Hess’ comedy starring Sam Rockwell, Amy Ryan and Jemaine
Clement.  Eric Leverenz was the conforming editor
for Cop Car. Jeff Cornell was the
conforming editor for Don Verdean.

About Technicolor – PostWorks New York
– PostWorks New York is the East Coast’s most comprehensive digital motion
picture and post-production facility, employing an exceptional team of artists,
engineers and project managers to serve our clients through the film and TV
finishing process.
– PostWorks New York offers one complete source for every post requirement,
including data workflows, telecine/scanning, non-linear editorial and HD
picture finishing, digital intermediate and film recording, high-volume
encoding and high-speed data transmission, as well as comprehensive film and TV
sound services on nine mix stages.
For more information,
visit http://www.technicolorpwny.com
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