The company will co-host
a panel discussion on emerging post-production workflows and formats.

NEW YORK—Technicolor PostWorks New York continues its
long-standing association with DOC NYC as a Signature Sponsor of the documentary
film festival happening this month in New York. Ben Murray, the facility’s Vice
President/Creative Services, and Joe Beirne, its Chief Technology Officer, will
co-host a panel aimed at first-time filmmakers entitled “Post-Production
Secrets.” Additionally, Technicolor PostWorks provided post-production services
for five films screening at the festival.
“We are delighted to continue our
support for DOC NYC and its mission of bringing the finest new documentary
films to New York,” said COO Rob DeMartin. “This year, we worked with a number
of very talented filmmakers whose work will be making their premieres. We are
expecting another fantastic festival.”
The “Post-Production Secrets”
seminar is scheduled for Thursday, November 12th at 2:00 p.m. at the
IFC Center in Manhattan. Murray and Beirne will be joined by documentarians Laura Israel (Windfall, Viewfinders Grand Jury
Prize at DOC NYC 2010) and Melinda Shopsin (The
House I Live In
, Grand Jury Prize 2012) for an
insightful discussion of new approaches to editorial, color, sound design and
final delivery, and new camera formats, including 4K and Ultra HD.

DOC NYC premiers finished at Technicolor PostWorks include:

Left on Purpose, an NYC premiere, is Justin Schein’s riveting portrait of antiwar
activist Mayer Vishner. Technicolor PostWorks provided color
grading, sound and deliverables; David Francis, colorist; Christopher Koch,
re-recording mixer.

The C Word,
an NYC premiere, is filmmaker and cancer survivor Meghan O’Hara’s investigation
of the connection between the current cancer epidemic and Western lifestyles.
Technicolor PostWorks provided editorial conforming, color grading,
sound and deliverables; Keith Jenson, colorist; Allie Ames, conform editor;
Paul Furedi and Christopher Koch, re-recording mixers.
Tree Man, an
NYC premiere, is Jon Reiner and Brad Rothschild’s affectionate portrait of a
Canadian Christmas tree vendor. Technicolor PostWorks provided editorial
conforming, color grading and deliverables; Anthony Raffaele, colorist; Mike
Nuget, conform editor.
Once and For All, a world premiere, is a revealing look back at the 1995 Beijing Women’s
Conference from Oscar
nominee and Emmy winner Michael Epstein, Emmy winner Dyllan McGee and producer
Sara Wolitzky. Technicolor
PostWorks provided offline rentals, color grading and sound; David Colonna,
colorist; Randy Matuszewski, re-recording mixer.
The Ties that Bind, a world premiere, is Grammy and Emmy winning director Thom Zimny’s glimpse
into the making of Bruce Springsteen’s seminal 1980 album “The River.” Technicolor
PostWorks provided editorial conforming, color grading and deliverables;
Sean R. Smith, colorist and conform editor.
About Technicolor PostWorks New York
PostWorks New York is the East Coast’s most comprehensive digital motion
picture and post-production facility, employing an exceptional team of creative
artists, engineers and project managers to serve our clients through the film
and TV finishing process.
PostWorks New York offers one complete source for every post requirement,
including data workflows, film imaging and restoration, non-linear editorial
and UHD picture finishing, 4K digital intermediate, high-volume media encoding
with global data connectivity, as well as comprehensive film and TV sound
services on nine mix stages.
For more information,
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