NEW YORK—New York’s leading provider of post-production
services for independent film, Technicolor PostWorks New York assisted in the
completion of a dozen films screening at this year’s Sundance Film Festival.
Projects included a mix of highly anticipated narrative films from both
established filmmakers and emerging artists. Services ranged from dailies
processing, offline systems rentals, editorial finishing and color grading to
sound editorial and mixing. The Festival will be held January 21-31 in Park
City, Salt Lake City, Sundance and Ogden, Utah.
“The
approach of Sundance always marks an exciting and busy time at Technicolor
PostWorks,” said COO Rob DeMartin. “This year, we look forward to the festival
with special anticipation due to the number and quality of the films we helped
to finish. We wish the best of luck to all participating filmmakers.”
Sundance films serviced by
Technicolor PostWorks:

Christine (US Dramatic
Competition/World Premiere) Director Antonio Campos’ story of a female TV news
reporter in Sarasota, Florida.
Technicolor
PostWorks provided color grading and deliverables; Sam Daley, Colorist;
Tif Luckenbill, Online Editor.
Complete Unknown (Premieres/World Premiere) Director
Joshua Marston’s story of a dinner party among old friends.
Technicolor
PostWorks provided editorial conforming, color grading, VFX and
deliverables; Alex Bickel, Colorist; Zachary Gobetz, Online Editor; Sean Perry,
Keith R. Jenson and Ryan McMahon, VFX Artists.
The Eyes of My Mother (Next/World
Premiere) Director Nicolas Pesce’s story of a lonely young woman who is
consumed by her darkest desires after tragedy strikes her quiet country
life. 
Technicolor
PostWorks provided color grading and deliverables; Sam Daley, Colorist.
PostWorks provided sound mixing; Michael A H Kurihara, Re-recording Mixer.

The Fits (Next/North American
Premiere) Director Anna Rose Holmer’s psychological portrait of an 11-year-old
tomboy assimilating into a tight-knit dance team in Cincinnati’s West End.

Technicolor
PostWorks provided editorial conforming, color grading, VFX and
deliverables; Sam Daley, Colorist; Keith Jenson, Online Editor; Ryan McMahon,
VFX Artist.
Frank & Lola (Premieres/World Premiere) Director
Matthew Ross’ psychosexual noir love story, set in Las Vegas and Paris, about
love, obsession, sex, betrayal, revenge and the search for redemption. 
Technicolor
PostWorks provided editorial conforming and color grading; Jack Lewars,
Colorist; Allie Ames, Keith Jenson and Ryan McMahon, Online Editors.
The Fundamentals of Caring (Closing Night Film/World Premiere) Director Rob Burnett’s story of a
caregiver and his client, a hilarious 18-year-old with muscular dystrophy.
PostWorks
provided sound editorial and mixing services; Michael McMenomy,
Supervising Sound Editor; Mariusz Glabinski, Darrel Hanzalik and Craig
Kyllonen, Sound Editors; Martin Czembor, Re-recording Mixer; Michael A H
Kurihara, Mix Recordist.
Indignation (Premieres/World Premiere) Director
James Schamus’ emotionally soaring film about new arrivals at Winesburg College
in Ohio in 1951.
Technicolor
PostWorks provided offline rentals, dailies, editorial conforming, color
grading and deliverables; Alex Bickel, Colorist; Zachary Gobetz, Online Editor.
Maggie’s Plan (Spotlight) Director Rebecca Miller’s story of a young woman whose determination to
have a child catapults her into a nervy love triangle.
Technicolor
PostWorks provided offline rentals, dailies, editorial conforming, color
grading and deliverables; Alex Bickel, Colorist; Keith R. Jenson, Online
Editor. PostWorks provided sound mixing; Marlena Grzaslewsicz, Supervising
Sound Editor; Martin Czembor, Re-recording Mixer.
Manchester By The Sea (Premieres/World Premiere) Director
Kenneth Lonergan’s tale of a man forced to care for his 16-year-old nephew
after his brother passes away.
Technicolor
PostWorks provided offline rentals, dailies, editorial conforming, color
grading and deliverables; Jack Lewars, Colorist; Ryan McMahon, Online Editor.
PostWorks provided sound mixing; Jacob Ribicoff, Re-recording Mixer; Michael A
H Kurihara, Mix Recordist.
Southside With You (US Dramatic
Competition/World Premiere) Director Richard Tanne’s chronicle of a single day in
the summer of 1989 when the future President of the United States, Barack
Obama, wooed his future First Lady on an epic first date across Chicago’s South
Side. 
Technicolor
PostWorks provided editorial conforming and deliverables; Zachary Gobetz,
Online Editor.
White Girl (US
Dramatic Competition/World
Premiere) Director Elizabeth Wood’s story of a college student who goes to
extremes to get her drug dealer boyfriend out of jail. 
Technicolor
PostWorks provided editorial conforming, color grading, VFX and
deliverables; Sam Daley, Colorist; George Bunce and Keith Jenson, Online Editors/VFX
Artists.
Wiener-Dog (Premieres/World Premiere) Director Todd Solondz’s tale of a people who find their life
inspired or changed by one particular dachshund.
Technicolor
PostWorks provided offline rentals, editorial conforming and color
grading; Sam Daley, Colorist; Ryan Duffy, Online Editor.
About Technicolor
PostWorks New York
Technicolor
PostWorks New York is the East Coast’s most comprehensive digital motion
picture and post-production facility, employing an exceptional team of creative
artists, engineers and project managers to serve our clients through the film
and TV finishing process.
Technicolor
PostWorks New York offers one complete source for every post requirement,
including data workflows, film imaging and restoration, non-linear editorial
and UHD picture finishing, 4K digital intermediate, high-volume media encoding
with global data connectivity, as well as comprehensive film and TV sound
services on nine mix stages.
For more information,
visit http://www.technicolorpwny.com
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