NEW YORK—Continuing
its long-standing support of independent film, Technicolor PostWorks New York
provided post-production services for eight films screening at the 2016 Tribeca
Film Festival. The projects included four feature narratives, three feature
documentaries and a short. The range of services included color grading,
editorial finishing, sound mixing, dailies, editorial system rentals and
deliverables. The 15th Tribeca Film Festival is scheduled for April
13-24 in New York.
Feature
Narrative:

Don’t
Think Twice
(Spotlight).
Writer/Director Mike Birbiglia’s follow-up to Sleepwalk with Me is set in the world of New York improv comedy.
Geoffrey Richman, editor; Joe Anderson, cinematographer.
Technicolor
PostWorks provided final color grading and editorial conforming; Sam Daley,
Colorist; Tif Luckenbill, Online Editor.

Elvis
& Nixon
(Centerpiece).
Director Liza Johnson relates the story of the legendary meeting between Elvis
Presley (Michael Shannon) and Richard Nixon (Kevin Spacey) a few days before
Christmas in 1970. Sabine Hoffman
and Michael Taylor, editors; Terry Stacey, Cinematographer.

Technicolor
PostWorks provided sound mixing services; Gene Park, Re-Recording Mixer.
The
Family Fang
(Spotlight).
Director/Actor Jason Bateman’s story of the troubled reunion of a family of
performance artists.  Robert
Frazen, editor; Ken Seng, Cinematographer.
Technicolor
PostWorks provided dailies services.
The Fixer (U.S. Narrative Competition).  Ian Olds reveals the dark story of a man who
leaves behind his life as a “fixer” for Western journalists in Afghanistan and
moves to a small town in Northern California. Scott
Cummings, Joe Murphy and Ian Olds, Editors; Adam Newport-Berra,
Cinematographer.
Technicolor
PostWorks provided graphics conforming and DCP mastering services.
Feature Documentary:

Contemporary
Color
(World
Documentary Competition). Directed by Bill Ross and Turner Ross, the film documents a 2015 event staged by legendary
musician David Byrne at Brooklyn’s Barclays Center to celebrate the art of
Color Guard: synchronized dance routines involving flags, rifles, and sabers. Bill Ross, Editor; Jarred Alterman,
Cinematographer.
Technicolor
PostWorks provided sound mixing services; Martin Czembor, Re-Recording Mixer.
Midsummer in Newtown (Spotlight). Director Lloyd Kramer’s story set in the wake of
the Sandy Hook tragedy, of a theater production that comes to Newtown,
Connecticut seeking to cast local children in a rock-pop version of A Midsummer Night’s Dream. Amilcar Gomes, Editor; Matt Peterson, ACS, Cinematographer.
Technicolor PostWorks provided offline rentals, editorial
conforming and color grading; Sean R. Smith, Colorist/Online Editor.
Tickling Giants (World Doc Competition). Director Sara Taksler examines the life of
Bassem Youssef, the “Jon Stewart of Egypt,” who abandoned a career as a heart
surgeon to become a television presenter. Jamie Canobbio, Tyler H. Walk and
Thomas M. Vogt, Editors.
Technicolor PostWorks provided offline rentals and
engineering support.
Short:

Father’s
Day
(New York Now).
Director Kiki Lambden Stout’s short subject about a woman who abandons her
family on Father’s Day. Erick Fix, Editor; Rick Rodgers, Cinematographer.
Technicolor
PostWorks provided final color grading; Sam Daley, Colorist.
About Technicolor PostWorks New York
Technicolor PostWorks New York is the East Coast’s most comprehensive
digital motion picture and post-production facility, employing an exceptional
team of creative artists, engineers and project managers to serve our clients
through the film and TV finishing process.
Technicolor PostWorks New York offers one complete source for every
post requirement, including data workflows, film imaging and restoration,
non-linear editorial and UHD picture finishing, 4K digital intermediate,
high-volume media encoding with global data connectivity, as well as
comprehensive film and TV sound services on nine mix stages.
For more information, visit http://www.technicolorpwny.com
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