smash hit Game of Thrones¸ Rising Sun
Pictures faced a formidable challenge: replicate the sprawling city of King’s
Landing and its central shrine, the Great Sept of Baelor, and then burn them to
the ground in a magical, green-hued inferno.
Thrones production team, RSP created visual effects for several episodes of
the show’s recently-concluded season. Most of the work centered on King’s
Landing and the Sept as artists produced photo-realistic CG environments, set
extensions and architectural enhancements that were blended with location
footage to create the luxurious, walled city overlooking the sea.
the Adriatic that has many beautiful, medieval buildings,” recalls RSP VFX
Producer Richard Thwaites. “A lot of our early work involved wide views of the
city, as well as internal and external views of the Sept (which is based on
Fort Manoel in the Maltese town of Gżira).” For several of those shots, artists
filled city environments with animated digital crowds, representing the
townsfolk and members of a religious cult led by the High Sparrow.
practical locations, but to do so in a way that appeared thoroughly real. “Game of Thrones is a fantasy, but the
aesthetic is highly realistic,” explains VFX Supervisor Hubert Maston. “The
realism carries through in the design, the weight and dimension of the
architecture and the atmosphere of the environments.”
parts of King’s Landing are destroyed as the widowed queen Cersei Lannister
exacts revenge on her rivals. A pool of wildfire below the Sept ignites,
causing an explosion that fills its tunnels with flames. The blast brings down
statues of the city’s seven kings. Everyone inside the building is killed and
the Sept collapses. Nearby structures are also engulfed in the inferno.
so real,” says Thwaites. “The explosion happens from inside out and seems so
powerful that you believe it can take out everything in its surroundings.”
the wildfire’s signature green hue. “The fire you are used to seeing is a mix
of very hot colors…orange, yellow, bright red,” explains Maston. “When you turn
it green, it doesn’t seem so hot. We had to completely reimagine it to create
fire that looks like fire and yet not like fire at the same time. We remapped
the light, color and texture and, through trial and error, came up with a look
that is both aesthetically pleasing and convincing.”
Flames burst through the Sept’s mosaic floor, incinerating him. “It’s a fully
digital replacement,” notes Thwaites. “It has muscle, skin, bones and internal
organs…all of which blow up in just a few frames.”
adds. “You see his skin peeling off and bones breaking off. It was pretty
in the show’s history. Rising Sun Pictures did its part to ensure loyal fans
had plenty to marvel at.
create inspirational visual effects for major studios worldwide. Creating
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