NEW YORK—Continuing its long-standing support for
independent film, Technicolor PostWorks New York helped to prepare a combined
10 features and documentaries for screening at this year’s Sundance Film
Festival. The facility provided services including editorial conforming, color
grading, deliverables and sound mixing for films premiering in the U.S.
Narrative and Documentary competitions and other programs. The Sundance Film
Festival is scheduled for January 19–29 in Park City, Utah.
independent film, Technicolor PostWorks New York helped to prepare a combined
10 features and documentaries for screening at this year’s Sundance Film
Festival. The facility provided services including editorial conforming, color
grading, deliverables and sound mixing for films premiering in the U.S.
Narrative and Documentary competitions and other programs. The Sundance Film
Festival is scheduled for January 19–29 in Park City, Utah.
Sundance films serviced by Technicolor
PostWorks include:
PostWorks include:
Band Aid, U.S. Narrative Competition, Director
and Screenwriter Zoe Lister-Jones’ story of a couple who can’t stop fighting and
embark on a last-ditch effort to save their marriage.
and Screenwriter Zoe Lister-Jones’ story of a couple who can’t stop fighting and
embark on a last-ditch effort to save their marriage.
Technicolor PostWorks provided editorial conforming, color
grading and deliverables; Allie Ames, colorist/online editor.
grading and deliverables; Allie Ames, colorist/online editor.
Before I Fall, Premieres, Director Ry Russo-Young’s
story of a woman who has everything until she wakes up one fateful night with
no future at all.
story of a woman who has everything until she wakes up one fateful night with
no future at all.
Technicolor PostWorks provided editorial conforming, color
grading, visual effects and deliverables; Alex Bickel, colorist; Ryan McMahon,
online editor; Sean Perry, Keith Jenson and Brian Keefe, VFX artists.
grading, visual effects and deliverables; Alex Bickel, colorist; Ryan McMahon,
online editor; Sean Perry, Keith Jenson and Brian Keefe, VFX artists.
 |
| “Band Aid”, “Before I Fall” |
The Big Sick, Premieres, Director Michael
Showalter’s dramatization of the real-life courtship of Pakistan-born comedian
Kumail Nanjiani and a grad student.
Showalter’s dramatization of the real-life courtship of Pakistan-born comedian
Kumail Nanjiani and a grad student.
Technicolor PostWorks provided dailies, editorial
conforming, color grading and deliverables; Alex Bickel, colorist; Josh Olive,
dailies colorist; Sean R. Smith, online editor.
conforming, color grading and deliverables; Alex Bickel, colorist; Josh Olive,
dailies colorist; Sean R. Smith, online editor.
Crown Heights, U.S. Narrative Competition, Director
and Screenwriter Matt Ruskin’s crime drama of a man wrongfully convicted of
murder and his best friend who devotes his life to proving his innocence. Technicolor PostWorks provided editorial conforming, color grading and deliverables; Jack Lewars, colorist; Jeff Cornell, online editor.
and Screenwriter Matt Ruskin’s crime drama of a man wrongfully convicted of
murder and his best friend who devotes his life to proving his innocence. Technicolor PostWorks provided editorial conforming, color grading and deliverables; Jack Lewars, colorist; Jeff Cornell, online editor.
 |
| “The Big Sick”, “Crown Heights” |
The Discovery, Premieres, Director Charlie McDowell’s
futuristic love story of a world where the afterlife has just been
scientifically proven—resulting in millions of people taking their own lives to
get there. Technicolor PostWorks provided editorial conforming, color
grading and deliverables; Alex Bickel, colorist; Pat Kelleher and Sean Perry,
online editors.
futuristic love story of a world where the afterlife has just been
scientifically proven—resulting in millions of people taking their own lives to
get there. Technicolor PostWorks provided editorial conforming, color
grading and deliverables; Alex Bickel, colorist; Pat Kelleher and Sean Perry,
online editors.
Long Strange Trip, Documentary Premieres, Director Amir
Bar-Lev’s tale of The Grateful Dead, a tribe of contrarians who made art out of
open-ended chaos and inadvertently achieved success on their own terms. Technicolor PostWorks provided editorial conforming, color
grading and deliverables; Jack Lewars, colorist; Keith Jenson, online editor.
Bar-Lev’s tale of The Grateful Dead, a tribe of contrarians who made art out of
open-ended chaos and inadvertently achieved success on their own terms. Technicolor PostWorks provided editorial conforming, color
grading and deliverables; Jack Lewars, colorist; Keith Jenson, online editor.
 |
| “The Discovery”, “Long, Strange Trip” |
Novitiate, U.S. Narrative Competition, Director
and Screenwriter Maggie Betts’s drama set in the 1960s, during the Vatican II
era, about a young woman training to become a nun who struggles with issues of
faith, sexuality and the changing church.
and Screenwriter Maggie Betts’s drama set in the 1960s, during the Vatican II
era, about a young woman training to become a nun who struggles with issues of
faith, sexuality and the changing church.
Technicolor PostWorks provided sound mixing services; Martin
Czembor, Re-Recording Mixer.
Czembor, Re-Recording Mixer.
Strong Island, U.S. Documentary Competition, Director
Yance Ford’s thoughtful examination of the violent death of his brother and the
judicial system that allowed his killer to go free. Technicolor PostWorks provided editorial conforming, color
grading and deliverables; Anthony Raffaele, colorist; Sean Perry, online
editor.
Yance Ford’s thoughtful examination of the violent death of his brother and the
judicial system that allowed his killer to go free. Technicolor PostWorks provided editorial conforming, color
grading and deliverables; Anthony Raffaele, colorist; Sean Perry, online
editor.
 |
| “Novitiate”, “Strong Island” |
Water & Power: A
California Heist, U.S. Documentary Competition, Director Marina Zenovich’s
examination of California’s convoluted water system and its impact on small
farmers and everyday citizens.Technicolor PostWorks provided editorial conforming, color
grading and deliverables; Jack Lewars, colorist; Keith Jenson, online editor.
California Heist, U.S. Documentary Competition, Director Marina Zenovich’s
examination of California’s convoluted water system and its impact on small
farmers and everyday citizens.Technicolor PostWorks provided editorial conforming, color
grading and deliverables; Jack Lewars, colorist; Keith Jenson, online editor.
The Yellow Birds, U.S. Narrative Competition, Director
Alexandre Moors’ film focusing on two young men who enlist in the army and are
deployed to fight in the Gulf War. Technicolor PostWorks provided editorial conforming and
deliverables; Allie Ames and Ryan McMahon, online editors.
Alexandre Moors’ film focusing on two young men who enlist in the army and are
deployed to fight in the Gulf War. Technicolor PostWorks provided editorial conforming and
deliverables; Allie Ames and Ryan McMahon, online editors.
 |
| “Water & Power: A California Heist”, “The Yellow Birds” |
About Technicolor
PostWorks New York
PostWorks New York
Technicolor
PostWorks New York is the East Coast’s most comprehensive digital motion
picture and post-production facility, employing an exceptional team of creative
artists, engineers and project managers to serve our clients through the film
and TV finishing process.
PostWorks New York is the East Coast’s most comprehensive digital motion
picture and post-production facility, employing an exceptional team of creative
artists, engineers and project managers to serve our clients through the film
and TV finishing process.
Technicolor
PostWorks New York offers one complete source for every post requirement,
including in-context digital dailies, film imaging and restoration, collaborative
non-linear editorial and HD/UHD broadcast finishing, 4K digital cinema, global
content lifecycle support, and comprehensive film and TV sound services on nine
mix stages.
PostWorks New York offers one complete source for every post requirement,
including in-context digital dailies, film imaging and restoration, collaborative
non-linear editorial and HD/UHD broadcast finishing, 4K digital cinema, global
content lifecycle support, and comprehensive film and TV sound services on nine
mix stages.
For
more information, visit http://www.technicolorpwny.com
more information, visit http://www.technicolorpwny.com
Creative Director
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