NEW YORK— Technicolor PostWorks provided
post-production services for more than a dozen films screening at next year’s
Sundance Film Festival. They include dramatic and documentary films competing
in the festival’s U.S. and World competitions, as well as films included in the
Premiere, Midnight, Next, Special Events and Animated Short Films programs. Technicolor
PostWorks performed editorial conforming and color grading. PostWorks provided
ADR, sound editorial and sound mixing. The 2018 Sundance Film Festival
runs January 18-28, 2018.

Technicolor PostWorks projects include:

Beirut (Premiere). Director Brad Anderson’s story of a U.S. diplomat who flees
Lebanon in 1972 and returns ten years later to negotiate for the life of a
friend he left behind. Technicolor PostWorks provided dailies, editorial
conforming, color grading and deliverables; PostWorks provided offline rentals,
sound editorial and sound mixing; Sam Daley, Colorist; Josh Olive, Dailies
Colorist; Keith Jenson, Ryan McMahon and Sean Perry, Online Editors; Ruy
Garcia, Sound Designer/Supervising Sound Editor; Lon Bender, Supervising Sound
Editor/Re-recording Mixer; Martin Czembor, Re-recording Mixer; Chris Foster and
Michael McMenomy, SFX Editors; Marlena Grzaslewicz, Dialogue Editor; Ruth
Hernandez, ADR Editor; Allen Lau, Assistant Sound Editor; Chris White, ADR
Recordist; Andrew McKay, Digital Intermediate Producer; Christine Andrews,
Sound Project Manager.

King in the Wilderness (Documentary Premiere). 
Director Peter Kunhardt’s portrait of the last years in the life of
Martin Luther King, Jr. Technicolor PostWorks provided editorial conforming,
color grading and deliverables; PostWorks provided sound editorial and sound
mixing; Allie Ames, Colorist; Ryan McMahon and Brian Woos, Online Editors;
Christopher Koch, CAS, Re-recording Mixer; Eric DiStefano, Dialogue Editor;
Filipe Messeder, SFX Editor; Christina Delerme, Digital Intermediate Producer;
Christine Andrews, Sound Project Manager.

Robin Williams: Come Inside My Mind (Documentary Premiere). Director Marina Zenovich’s intimate
portrait of one of the world’s most beloved and inventive comedians. Technicolor
PostWorks provided editorial conforming, color grading and deliverables;
PostWorks provided sound editorial and sound mixing; Allie Ames, Colorist; Ryan
McMahon and Sean Perry, Online Editors; Christopher Koch, CAS, Re-recording
Mixer; Eric DiStefano, Dialogue Editor; Filipe Messeder, SFX Editor; Christina
Delerme, Digital Intermediate Producer; Christine Andrews, Sound Project
Manager.

Eighth Grade (U.S. Dramatic Competition). Director and Screenwriter Bo
Burnham’s story of a 13-year-old girl making her way through the last week of
middle school. Technicolor PostWorks provided dailies, editorial conforming,
color grading and deliverables; Jack Lewars, Colorist; Josh Olive, Dailies
Colorist; Jeff Cornell and Ryan McMahon, Online Editors; Andrew McKay, Digital
Intermediate Producer.

Lizzie (U.S. Dramatic Competition). Director: Craig William Macneill’s
tense psychological thriller based on the 1892 murder of Lizzie Borden’s family
in Fall River, Massachusetts. Technicolor PostWorks provided sound editorial
and sound mixing; Ruy Garcia, Supervising Sound Editor/Re-recording Mixer;
Chris Foster, SFX Editor; Marlena Grzaslewicz, Dialogue Editor; Allen Lau Assistant,
Sound Editor; Bryn Neuenschwander, Sound Project Manager.

Monsters and Men (U.S. Dramatic Competition). Director and Screenwriter Reinaldo
Marcus Green’s interwoven narrative explores the aftermath of a police killing
of a black man. Technicolor PostWorks provided editorial conforming and
deliverables; Jeff Cornell, Keith Jenson and Ryan McMahon, Online Editors; Christina
Delerme and Elizabeth Niles, Digital Intermediate Producers.

Sorry to Bother You (U.S. Dramatic Competition). Director and Screenwriter Boots
Riley’s dystopian tale of a black telemarketer who discovers a magical key to
professional success. PostWorks provided sound editorial; Ruy Garcia and
Michael McMenomy, Supervising Sound Editors; Angela Organ, ADR Editor; Lidia
Tamplenizza, Dialogue Editor; Allen Lau, Assistant Sound Editor; Christine
Andrews, Sound Project Manager.

The Tale (U.S. Dramatic Competition). Director and Screenwriter Jennifer
Fox delves into one woman’s memory as she’s forced to re-examine her first
sexual relationship. PostWorks provided offline rentals and ADR; Chris
White, ADR Recordist.

TYREL (U.S. Dramatic Competition). Director and Screenwriter Sebastian
Silva’s story of Tyler, who spirals out of control when he realizes he‘s the
only black person attending a weekend birthday party in a secluded cabin. Technicolor
PostWorks provided editorial conforming, color grading and deliverables;
PostWorks provided sound mixing; Sam Daley, Colorist; Brian Keefe, Online
Editor; Michael Kurihara, Sound Supervisor/Re-recording Mixer; Michael
McMenomy, Dialogue Editor; Pam Demetruis, ADR Editor; Nicole Guillermo, Digital
Intermediate Producer; Bryn Neuenschwander, Sound Project Manager.

Wildlife (U.S. Dramatic Competition). Director Paul Dano’s portrait of a
family in crisis; based on the novel by Richard Ford. Technicolor PostWorks
provided dailies; Josh Olive, Dailies Colorist; Michelle Morris, Dailies
Project Manager.

Dead Pigs (World Cinema Dramatic
Competition). Director and Screenwriter Cathy Yan’s story of a bumbling
pig farmer, a feisty salon owner, a sensitive busboy, an expat architect and a
disenchanted rich girl, who collide as thousands of dead pigs float down the river
towards a rapidly-modernizing Shanghai. PostWorks provided sound editorial,
ADR and sound mixing; Mariusz Glabinski, Supervising Sound Editor; Peter
Waggoner, Re-recording Mixer; Michael Odmark and Kahlin Whatley, Dialogue
Editors; Chris Liang, SFX Editor; Ruth Hernandez, ADR Editor; Chris White, ADR
Recordist; Jay Rubin, Sound Post Producer; Christine Andrews, Sound Project
Manager.

Crime + Punishment (U.S. Documentary
Competition). Director Stephen Maing relates the story of a brave group
of black and Latino whistleblower cops and one unrelenting private investigator
who, amidst a landmark lawsuit, risk everything to expose illegal quota
practices and their impact on young minorities. Technicolor PostWorks
provided editorial conforming, color grading and deliverables; PostWorks
provided sound mixing; Allie Ames, Colorist; Jeff Cornell and Brian Keefe, Online
Editors; Michael McMenomy, Sound Supervisor; Christopher Koch, CAS,
Re-recording Mixer; Christina Delerme, Digital Intermediate Producer; Bryn
Neuenschwander, Sound Project Manager.

Hale County This Morning, This
Evening (U.S.
Documentary Competition). Director RaMell Ross explores coming-of-age in
the Black Belt of the American South. Technicolor PostWorks provided
editorial conforming, color grading and deliverables; Dave Francis, Colorist;
Sean Perry, Online Editor; Andrew McKay, Digital Intermediate Producer.

The Sentence (U.S. Documentary
Competition). Director Rudy Valdez profiles Cindy Shank, a mother of
three who is serving a 15-year sentence in federal prison for her tangential
involvement years earlier with a Michigan drug ring. Technicolor PostWorks
provided editorial conforming, color grading and deliverables; PostWorks
provided sound editorial and sound mixing; Allie Ames, Colorist; Brian Keefe,
Online Editor; Eliott Taylor, Supervising Sound Editor/Re-recording Mixer; Eric
Distefano, Dialogue Editor; Mike Odmark, SFX Editor; Nicole Guillermo, Digital
Intermediate Producer; Bryn Neuenschwander, Sound Project Manager.

Piercing (Midnight). Director and Screenwriter Nicolas Pesce’s twisted love
story about a man who seeks out an unsuspecting stranger to help him purge the
dark torments of his past. Technicolor PostWorks
provided editorial conforming, color grading and deliverables; PostWorks
provided sound editorial and sound mixing; Sam Daley, Colorist; Keith Jenson,
Online Editor; Michael Kurihara, Supervising Sound Editor/Sound
Designer/Re-recording Mixer; Isabel Cafaro-Anderson, Digital Intermediate
Producer; Bryn Neuenschwander, Sound Project Manager.

We the Animals (Next). Director Jeremiah Zagar’s tale of three brothers who tear
their way through childhood and push against the volatile love of their
parents. PostWorks provided sound editorial and
sound mixing; Ruy Garcia, Supervising Sound Editor/Re-recording Mixer; Chris
Foster, SFX Editor; Luciano Vignola, Dialogue Editor; Matt Rigby, Assistant
Sound Editor; Bryn Neuenschwander, Sound Project Manager.

The
King (Special
Events). Director Eugene Jarecki’s tribute to Elvis Presley offers a musical
road trip across America in the singer’s 1963 Rolls Royce 40 years after his
death. Technicolor PostWorks provided editorial conforming, color grading
and deliverables; PostWorks provided sound mixing; Ben Murray, Colorist; Ryan
McMahon, Keith Jenson and Sean Perry, Online Editors; Christopher Koch, CAS,
Supervising Sound Editor/Re-recording Mixer; Christina Delerme, Digital
Intermediate Producer; Christine Andrews, Sound Project Manager.

The
Shivering Truth
(Animated Short Films). Directors Vernon Chatman and Cat Solen present an omnibus
of painfully riotous “day-mares,” dripping with dream logic, animated in
stop-motion. PostWorks provided sound editorial and sound mixing; Paul
Furedi, Dialogue Editor/Re-recording Mixer; Kahlin Whatley, SFX Editor; Chris
White, Additional Voice Recordist; Christine Andrews, Sound Project Manager.

About Technicolor PostWorks New York

Technicolor
PostWorks New York is the East Coast’s most comprehensive digital motion
picture and post-production facility, employing an exceptional team of creative
artists, engineers and project managers to serve our clients through the film
and TV finishing process.

Technicolor
PostWorks New York offers one complete source for every post requirement,
including in-context digital dailies, film imaging and restoration,
collaborative non-linear editorial and HD/UHD broadcast finishing, 4K digital
cinema, global content lifecycle support, and comprehensive film and TV sound
services on nine mix stages.

For
more information, visit http://www.technicolorpwny.com