HOLLYWOOD—MThe Motion Picture Sound Editors (MPSE) tonight announced the winners in the 71st Annual MPSE Golden Reel Awards. Dane A. Davis, MPSE received the MPSE Career Achievement Award. Michael Dinner was presented with the MPSE Filmmaker Award. Awards were also presented in 19 professional categories, alongside one student award. Categories spanned feature film, television, animation, and computer entertainment. The awards were presented in a black-tie event at the Wilshire Ebell Theatre in Los Angeles with Patton Oswalt as host.

Current MPSE President David Barber

Newly elected MPSE President David Barber lauded the tradition of the Golden Reel Awards and MPSE’s role in bringing sound professionals together. “What makes this event so special is that we come together from around the world as a sound community to celebrate each other,” he said. “We celebrate each other’s artistry and each other’s achievements. MPSE members are an extraordinarily passionate and giving group of sound enthusiasts who exemplify the meaning of ‘community.’”

Outgoing MPSE President Mark Lanza

Outgoing President Mark Lanza cited the organization’s achievements over the past several years and noted that it recently surpassed a significant milestone. “We are now over 1000 members strong!” he stated. “The MPSE is truly an international organization whose presence is felt and respected worldwide. This coupled with our push to include more gaming editors and events for them truly make the MPSE the premiere organization for sound editors.”

MPSE CAREER ACHIEVEMENT AWARD

Dane A. Davis, MPSE

MPSE FILMMAKER AWARD

Michael Dinner

71st Annual MPSE Golden Reel Award Winners

“Oppenheimer” Sound Editing Team

“Maestro” Supervising Music Editor Jason Ruder and Music Editor Victoria Ruggiero

Outstanding Achievement in Sound Editing – Broadcast Animation

Star Wars: The Bad Batch: “Faster”

Disney

Supervising Sound Editors: David W. Collins, Matthew Wood

Sound Designer: David W. Collins

Sound Effects Editors: Justin Doyle, Kevin Bolen MPSE, Kimberly Patrick

Supervising Foley Editor: Frank Rinella

Foley Artists: Kimberly Patrick, Margie O’Malley, Andrea Gard

 

Outstanding Achievement in Sound Editing – Non-theatrical Animation

The Monkey King

Netflix Animation

Supervising Sound Editors: David Giammarco, Eric A. Norris MPSE

Dialogue Editor: Sean Massey MPSE

Sound Designers: Jon Title MPSE, Tim Nielsen

Foley Artists: Dan O’Connell, John Cucci MPSE

 

Outstanding Achievement in Sound Editing – Feature Animation

Spider-Man: Across the Spider-Verse

Sony Pictures Animation

Supervising Sound Editor: Geoffrey G. Rubay

Sound Designers: John J. Pospisil, Alec G. Rubay, Kip Smedley

Sound Effects Editors: Cathryn Wang, David Werntz, Bruce Tanis MPSE, Greg ten Bosch MPSE, Daniel McNamara MPSE, Will Digby, Andy Sisul

Supervising Dialogue Editor: James Morioka MPSE

Dialogue Editors: Robert Getty MPSE, Jason W. Freeman, Kai Scheer, Ashley N. Rubay

Foley Supervisor: Colin Lechner MPSE

Foley Artist: Gregg Barbanell MPSE, Jeff Wilhoit MPSE, Dylan Wilhoit

Supervising Music Editor: Katie Greathouse

Music Editor: Barbara McDermott

 

Outstanding Achievement in Sound Editing – Non-theatrical Documentary

Our Planet II: “Chapter 3: The Next Generation”

Netflix

Sound Editor: George Fry

 

Outstanding Achievement in Music Editing – Documentary

Pianoforte

Greenwich Entertainment

Supervising Music Editor: Michal Fojcik MPSE

Music Editor: Joanna Popowicz

 

Outstanding Achievement in Sound Editing – Feature Documentary

32 Sounds

ArKtype

Supervising ADR Editor: Eliza Paley

Supervising Sound Editor: Mark Mangini MPSE

Sound Editor: Robert Kellough MPSE

ADR Editor: Mari Matsuo

Foley Artist: Joanna Fang MPSE

 

Outstanding Achievement in Music Editing – Game Music

Star Wars Jedi: Survivor

Respawn Entertainment

Music Director: Nick Laviers

Music Implementers: Colin Andrew Grant MPSE, Andrew Karboski

 

Outstanding Achievement in Sound Editing – Game Dialogue / ADR

Alan Wake 2

Remedy Entertainment

Audio Director: Richard Lapington

Senior Dialogue Designers: Taneli Suoranta, Arthur Tisseront

 

Outstanding Achievement in Sound Editing – Game Effects / Foley

Marvel’s Spider-Man 2

Insomniac Games

Supervising Sound Editors: Ben Minto MPSE, Chris Sweetman MPSE, Csaba Wagner MPSE, Samuel Justice, Gary Miranda

Supervising Sound Designer: Emile Mika

Senior Director of Sound: Phillip Kovats MPSE

Director, Audio Management: Karen Read

Audio Managers: Daniel Birczynski, Jesse James Allen

Director of Sound Design: Jeremie Voillot MPSE

Senior Audio Directors: Paul Mudra, Jerry Berlongieri, Dwight Okahara

Technical Sound Designers: Ben Pantelis, Sebastian Ruiz, Nick Jackson, Enoch Choi, Cameron Sonju, Gavin Booth

Lead Sound Designer: Blake Johnson

Senior Sound Designers: Eddie Pacheco MPSE, Tyler Cornett, Johannes Hammers MPSE, Zack Bogucki, Alex Previty, Matt Ryan, Juliet Rascon, Andres Herrera, Robert Castro MPSE, Jeff Darby, Beau Anthony Jimenez MPSE, Derrick Espino, Jon Rook

Sound Designers: Tyler Hoffman, Daniele Carli, Bob Kellough MPSE, Bryan Jerden, Eilam Hoffman, Graham Donnelly MPSE, Jason W. Jennings MPSE, Matt Hall, Michael Leaning, Michael Schapiro, Randy Torres, Richard Gould, Stephano Sanchinelli, Tim Walston MPSE, Tobias Poppe, Tom Jaine MPSE, Jeremy Neroes, Adam Sanchez, Brendan Wolf, Roy Lancaster, Rodrigo Robinet, Daniel Barboza, Charlie Ritter, David Goll, Chris Kokkinos MPSE, TJ Schauer

Foley Editors: Blake Collins, Annie Taylor, Austin Creek

Foley Artist: Joanna Fang MPSE

 

Outstanding Achievement in Music Editing – Broadcast Short Form

Dave: “Met Gala”

Hulu

Supervising Music Editor: Amber Funk MPSE

Music Editor: James Sullivan

 

Outstanding Achievement in Sound Editing – Broadcast Short Form

The Mandalorian: “The Return”

Disney

Supervising Sound Editors: Trey Turner, Matthew Wood

Sound Designer: David W. Collins

Sound Effects Editors: Luis Galdames MPSE, Kevin Bolen MPSE

ADR Editors: Brad Semenoff MPSE, Ryan Cota MPSE

Supervising Foley Editor: Frank Rinella

Foley Editors: Joel Raabe, Alyssa Nevarez

Foley Artist: Shelly Roden MPSE

 

Outstanding Achievement in Music Editing – Broadcast Long Form

The Last of Us: “When You’re Lost in the Darkness”

HBO

Music Editor: Maarten Hofmeijer

 

Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR

The Marvelous Mrs. Maisel: “Four Minutes”

Amazon Prime

Supervising Sound Editor: Ron Bochar

Dialogue Editor: Sara Stern

ADR Editor: Ruth Hernandez MPSE

 

Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley

All the Light We Cannot See: Episode 4

Netflix

Supervising Sound Editors: Craig Henighan MPSE, Ryan Cole MPSE

Sound Effects Editor: David Grimaldi

Foley Editor: Matt Cloud

Foley Artist: Steve Baine

 

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

Dive

National Film & Television School

Supervising Sound Editor: Simon Panayi

 

Outstanding Achievement in Sound Editing – Non-theatrical Feature

The Last Kingdom: Seven Kings Must Die

Netflix

Supervising Sound Editor: Jack Gillies

Dialogue/ADR Supervisor: Michael Williams

ADR Editor: Steve Berezai

Foley Supervisor: Sam Walsh

Foley Editor: Neale Ross

Foley Artist: Jason Swanscott

 

Outstanding Achievement in Sound Editing – Foreign Language Feature

Society of the Snow

Netflix

Supervising Sound Editors: Oriol Tarragó, Iosu Martinez, Guillem Giró

Foley Artists: Erik Vidal, Kiku Vidal

Sound Editors: Sarah Romero, Marc Bech, Brendan Golden

Sound Designer: Oriol Tarragó

Music Editor: John Finklea

 

Outstanding Achievement in Music Editing – Feature Motion Picture

Maestro

Netflix

Supervising Music Editor: Jason Ruder

Music Editor: Victoria Ruggiero

 

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

Oppenheimer

Universal Pictures

Supervising Sound Editor: Richard King

Supervising Dialogue Editor: David Bach

Dialogue Editors: Russell Farmarco, Albert Gasser MPSE

 

Outstanding Achievement in Sound Editing – Feature Effects / Foley

Oppenheimer

Universal Pictures

Supervising Sound Editor: Richard King

Sound Effects Editor: Michael Mitchell

Sound Designer: Randy Torres

Supervising Foley Editor: Christopher Flick

Foley Artists: Dan O’Connell, John Cucci MPSE

About MPSE

Founded in 1953, the Motion Picture Sound Editors is a non-profit organization of professional sound and music editors who work in the motion picture television and gaming industries. The organization’s mission is to provide a wealth of knowledge from award-winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.

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