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Goldcrest Post Implements Remote Post-Production Services in Wake of Coronavirus
In response to the coronavirus outbreak, Goldcrest Post has established the capability to conduct most picture and sound post-production work remotely. Colorists, conform editors and other staff are now able to work from home or a remote site and connect to the facility’s central storage and technical resources via remote collaboration software.
read moreSMPTE Hollywood Section to Focus on Compression for Streaming at March Meeting
The Hollywood Section of SMPTE®, the organization defining the future of storytelling, will explore the evolution of video compression, and new ideas for keeping files small, while preserving quality and creative intent, at its monthly meeting, scheduled for March 26th at the Academy of Motion Picture Arts and Sciences.
read moreCinematic Media Provides High-End Finish for Netflix Series “El Club”
Post-production finishing for the first season of El Club, Netflix’s new young adult dramedy, was recently completed at Cinematic Media in Mexico City.
read moreSony Pictures Post Production Services Delivers a Soundtrack Packed with Action and Laughs for “Bad Boys for Life”
For its award-winning sound team from Sony Pictures Post Production Services (which includes Supervising Sound Editor/Sound Designer/Re-Recording Mixer Steven Ticknor, Sound Designer/Re-Recording Mixer Tony Lamberti, Re-Recording Mixer Kevin O’Connell, Supervising Sound Editor Andrew DeCristofaro, Supervising ADR Editor Becky Sullivan and Sound Designer Laurent Kossayan), Bad Boys for Life’s infectious blend of full throttle action and side-splitting comedy presented unique challenges.
read morePace Pictures Produces Main Title for Hulu’s “Veronica Mars”
The main title sequence for Hulu’s revival of the crime drama Veronica Mars aims to reintroduce the show to its fervent fanbase and suggest the changes its cast and their community have undergone in the dozen years since its original run. Designed and produced by Pace Pictures, and set to an updated version of the show’s theme song, We Used to Be Friends (performed by Chrissie Hynde), the sequence reveals stylized close-ups of stars Kristen Bell, Jason Dohring and Enrico Colantoni, onto which are projected colorful neon lighting and moody images of the seaside community of Neptune.
read moreSim Post New York, Toronto and LA, Prepare Four Independent Films for Sundance Premieres
New York —January 22, 2020— A long-time supporter of independent film, Sim provided post-production finishing services for four ground-breaking films premiering at this year’s Sundance Film Festival. Sim Post New York provided final color grading and online editorial for Hillary, Academy Award-nominated director Nanette Burnstein’s four-part documentary about the life of Hillary Clinton and her historic 2016 presidential campaign. It is slated...
read moreGoldcrest Post and CinePointe Advisors Hosts Delivery Bootcamp for Indie Producers
In an intensive, one-night-only workshop, Goldcrest Post and CinePointe Advisors will teach filmmakers everything they need to know about delivering their projects for cinema, streaming and broadcast. The event will provide a complete overview of the film delivery process, encompassing evolving technical requirements, complex legal considerations and essential project management skills.
read moreSony Pictures Post Production Services Sound Team Ups Its Game for “Jumanji: The Next Level”
In Columbia Pictures’ Jumanji: The Next Level, the gang from the 2017 hit, Jumanji: Welcome to the Jungle, is back but the game has changed.
read moreGoldcrest Post Helps Send Five Films to Sundance
Goldcrest Post provided post-production services for five films making their world premieres in the 2020 Sundance Film Festival.
read moreGoldcrest Post Recreates the Sounds of New York in the Sixties for EPIX’s Epic Crime Series “Godfather of Harlem”
EPIX’s riveting crime drama Godfather of Harlem has earned critical praise and popular success for its unflinching portrait of 1960s Harlem under the sway of competing criminal gangs. A big part of the show’s uncanny realism derives from its soundtrack, edited and mixed at Goldcrest Post, which blends the idiosyncratic dialogue of Italian and African-American mobsters with meticulously-detailed New York City soundscapes and an absorbing blend of period and contemporary music.
read moreAbout Keith
Creative DirectorKeith Gayhart directs content strategy for the agency, combining keen storytelling skill with deep knowledge of the media landscape from Top Ten print and electronic media outlets to industry and enthusiast websites and blogs.
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