Veteran colorist Walter Volpatto, CSI has been appointed to the leadership of the Colorist Society International as a Fellow. A senior colorist at EFILM in Hollywood, Volpatto was nominated for a 2019 HPA Award for his work on the film Green Book.
In response to the coronavirus outbreak, Goldcrest Post has established the capability to conduct most picture and sound post-production work remotely. Colorists, conform editors and other staff are now able to work from home or a remote site and connect to the facility’s central storage and technical resources via remote collaboration software.
The Hollywood Section of SMPTE®, the organization defining the future of storytelling, will explore the evolution of video compression, and new ideas for keeping files small, while preserving quality and creative intent, at its monthly meeting, scheduled for March 26th at the Academy of Motion Picture Arts and Sciences.
Post-production finishing for the first season of El Club, Netflix’s new young adult dramedy, was recently completed at Cinematic Media in Mexico City.
For its award-winning sound team from Sony Pictures Post Production Services (which includes Supervising Sound Editor/Sound Designer/Re-Recording Mixer Steven Ticknor, Sound Designer/Re-Recording Mixer Tony Lamberti, Re-Recording Mixer Kevin O’Connell, Supervising Sound Editor Andrew DeCristofaro, Supervising ADR Editor Becky Sullivan and Sound Designer Laurent Kossayan), Bad Boys for Life’s infectious blend of full throttle action and side-splitting comedy presented unique challenges.
The main title sequence for Hulu’s revival of the crime drama Veronica Mars aims to reintroduce the show to its fervent fanbase and suggest the changes its cast and their community have undergone in the dozen years since its original run. Designed and produced by Pace Pictures, and set to an updated version of the show’s theme song, We Used to Be Friends (performed by Chrissie Hynde), the sequence reveals stylized close-ups of stars Kristen Bell, Jason Dohring and Enrico Colantoni, onto which are projected colorful neon lighting and moody images of the seaside community of Neptune.
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